Introduction : narrative, sexuality, race, and the self
Querying postcolonial and borderland queer theory
John Rechy's bending of brown and white canons
Arturo Islas's and Richard Rodriguez's ethnosexual re-architexturing of metropolitan space
Ana Castillo's and Sheila Ortiz Taylor's bent Chicana textualities
Edward J. Olmos's postcolonial penalizings of the film-image repertoire
Conclusion : re-visioning Chicano/a bodies and texts.