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000418214 010__ $$z  2009048870
000418214 020__ $$z9781441181244 (hbk. : alk. paper)
000418214 020__ $$z1441181245 (hbk. : alk. paper)
000418214 020__ $$z9781441192851 (pbk. : alk. paper)
000418214 020__ $$z1441192859 (pbk. : alk. paper)
000418214 035__ $$a(CaPaEBR)ebr10422421
000418214 035__ $$a(OCoLC)670428954
000418214 040__ $$aCaPaEBR$$cCaPaEBR
000418214 05014 $$aPN1998.3.H36$$bS64 2010eb
000418214 08204 $$a791.43023/3092$$222
000418214 1001_ $$aSpeck, Oliver C.
000418214 24510 $$aFunny frames$$h[electronic resource] :$$bthe filmic concepts of Michael Haneke /$$cOliver C. Speck.
000418214 260__ $$aNew York :$$bContinuum,$$c2010.
000418214 300__ $$aviii, 260 p. :$$bill. ;$$c24 cm.
000418214 504__ $$aIncludes bibliographical references and index.
000418214 5050_ $$aIntroduction: framing Haneke -- The conceptual frame of reference -- A movement through Haneke's oeuvre -- A marriage of past and present : the overcoming of Fassbinder -- Thinking the event : the virtual in Michael Haneke -- A new order: the method of madness -- Self/aggression: violence in films by Michael Haneke -- The moral of the long take -- The funny frame -- Plot reviews.
000418214 506__ $$aAccess limited to authorized users.
000418214 60010 $$aHaneke, Michael,$$d1942-$$xCriticism and interpretation.
000418214 655_7 $$aElectronic books.$$2lcsh
000418214 852__ $$bebk
000418214 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10422421$$zOnline Access
000418214 909CO $$ooai:library.usi.edu:418214$$pGLOBAL_SET
000418214 980__ $$aEBOOK
000418214 980__ $$aBIB
000418214 982__ $$aEbook
000418214 983__ $$aOnline