000042233 000__ 00795cam\a2200253W\\4500 000042233 001__ 42233 000042233 005__ 20210513011803.0 000042233 008__ 710308s1971\\\\ctu\\\\\\b\\\\00110\eng\\ 000042233 010__ $$a77-115376 000042233 020__ $$a0300013280 000042233 035__ $$a(OCoLC)ocm00125132 000042233 040__ $$aDLC$$cDLC$$dm.c.$$dISE 000042233 0410_ $$aeng$$hfre 000042233 043__ $$ae-fr--- 000042233 049__ $$aISEA$$c1 [91867] 000042233 0500_ $$aPQ526$$b.R4 000042233 0820_ $$a842/.4/09 000042233 1001_ $$aReiss, Timothy J.,$$d1942- 000042233 24510 $$aToward dramatic illusion: theatrical technique and meaning from Hardy to Horace,$$cby T. J. Reiss. 000042233 260__ $$aNew Haven,$$bYale University Press,$$c1971. 000042233 300__ $$aviii, 212 p.$$c22 cm. 000042233 440_0 $$aYale Romanic studies, 2d ser.,$$v22 000042233 504__ $$aBibliography: p. 193-206. 000042233 650_0 $$aFrench drama$$y17th century$$xHistory and criticism. 000042233 85200 $$bgen$$hPQ526$$i.R4 000042233 909CO $$ooai:library.usi.edu:42233$$pGLOBAL_SET 000042233 980__ $$aBIB 000042233 980__ $$aBOOK