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Introduction: death acts (survival acts)
Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment
Terayama Shuji: gender, power, and the imperative voice
Blindness and the visuality of desire
Intersubjective spaces, communal dreams
Theories of encounter. Theories of encounter: breaking the everyday
Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings
On homecoming: Hijikata's writings and Buto
Provoke era: new languages of Japanese photography
Conclusion: counterfeit coins, phantasms.

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