000425150 000__ 01670cam\a2200301\a\4500
000425150 001__ 425150
000425150 005__ 20210513150002.0
000425150 008__ 101025s2011\\\\maua\\\\\b\\\\001\0\eng\\
000425150 010__ $$a  2010045150
000425150 019__ $$a456169819
000425150 020__ $$a9780674053403 (alk. paper)
000425150 020__ $$a0674053400 (alk. paper)
000425150 035__ $$a(OCoLC)ocn528397745
000425150 035__ $$a425150
000425150 040__ $$aDLC$$cDLC$$dYDX$$dUKM$$dBTCTA$$dYDXCP$$dHSA$$dBWX$$dCDX$$dIXA$$dCOD$$dUKMGB$$dSINLB$$dMIX
000425150 043__ $$aa-ja---
000425150 049__ $$aISEA
000425150 05000 $$aNX584.A1$$bS26 2011
000425150 08200 $$a700.952/09046$$222
000425150 1001_ $$aSas, Miryam.
000425150 24510 $$aExperimental arts in postwar Japan :$$bmoments of encounter, engagement, and imagined return /$$cMiryam Sas.
000425150 260__ $$aCambridge, Mass. :$$bHarvard University Asia Center :$$bDistributed by Harvard University Press,$$c2011.
000425150 300__ $$axvii, 275 p. :$$bill. ;$$c24 cm.
000425150 440_0 $$aHarvard East Asian monographs ;$$v329.
000425150 504__ $$aIncludes bibliographical references and index.
000425150 5050_ $$aIntroduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms.
000425150 650_0 $$aArts, Japanese$$y20th century.
000425150 650_0 $$aAvant-garde (Aesthetics)$$zJapan.
000425150 85200 $$bgen$$hNX584.A1$$iS26$$i2011
000425150 909CO $$ooai:library.usi.edu:425150$$pGLOBAL_SET
000425150 980__ $$aBIB
000425150 980__ $$aBOOK