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Peter Greenaway's postmodern/poststructuralist cinema [electronic resource] / edited by Paula Willoquet-Maricondi, Mary Alemany-Galway.

Willoquet-Maricondi, Paula, 1960-; Alemany-Galway, Mary, 1944-
2008
PN1998.3.G73 P48 2008eb
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Title
Peter Greenaway's postmodern/poststructuralist cinema [electronic resource] / edited by Paula Willoquet-Maricondi, Mary Alemany-Galway.
Edition
Revised edition.
ISBN
9780810862272 (electronic book)
9780810862012
0810862018
Published
Lanham, Md. : Scarecrow Press, 2008.
Language
English
Description
1 online resource (xxxv, 410 pages) : illustrations
Call Number
PN1998.3.G73 P48 2008eb
Dewey Decimal Classification
791.4302/33092
Summary
Since the 1960s, British multi-media artist Peter Greenaway has shocked and intrigued audiences with his avant-garde approach to filmmaking and other artistic ventures. From early experimental films to provocative features, Greenaway has deployed strategies associated with structuralist cinema, only to challenge or critique the very limits of that cinema and of film in general. In this collection of essays, scholars from a variety of disciplines explore various postmodern and poststructuralist aspects of Greenaway's films, starting with his early shorts and delving into his feature-length works.
Note
Description based on print version record.
Bibliography, etc. Note
Includes bibliographical references (p. 373-397) and index.
Access Note
Access limited to authorized users.
Added Author
Willoquet-Maricondi, Paula, 1960-
Alemany-Galway, Mary, 1944-
Available in Other Form
Peter Greenaway's postmodern/poststructuralist cinema.
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All Resources
Introduction: a postmodern/poststructuralist cinema
From British cinema to mega-cinema / Paula Willoquet-Maricondi
Peter Greenaway and the failure of cinema / John Di Stefano
Neo-Baroque imaging in Peter Greenaway's cinema / Cristina Degli-Esposti Reinert
Tabula for a catastrophe: Peter Greenaway's The falls and Foucault's Heterotopia / Bart Testa
Postmodernism and the French new novel: the influence of Last year at Marienbad on The draughtsman's contract / Mary Alemany-Galway
Rising from the ruins: interpreting the missing formal device within The belly of an architect / Michael Ostwald
Z is for zebra, zoo, zed, and zygote, or is it possible to live with ambivalence? / Jean Petrolle
Prospero's books, postmodernism, and the reenchantment of the world / Paula Willoquet-Maricondi
The crisis of commentary: tilting at windmills in Peter Greenaway's The cook, the thief, his wife and her love / Dayana Stetco
Theater, ritual, and materiality in Peter Greenaway's The baby of Mâcon / Lia M. Hotchkiss
Skin deep: fins-de-siècle and new beginnings in Peter Greenaway's The pillow book / Bridget Elliott and Anthony Purdy
Body and text & Eight a half women: a Laconic black comedy / Peter Greenaway
Two interviews with Peter Greenaway / Paula Willoquet-Maricondi
The tulse luper suitcases: Peter Greenaway's left luggage / Heidi Peeters
Greenaway, the Netherlands, and the conspiracies of history / David Pascoe.

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