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Women and revenge: some literary, iconographic, and intellectual foundations
Valorous tongues, lamenting voices: the expressive ethics of female inciters in Shakespeare's plays
Reporting the women's causes aright: wounded names and revenge narratives in Hamlet, Titus Andronicus, and Much ado about nothing
Hecuba's legacy: wounded maternity and vengeance in the First tetralogy and Titus Andronicus
"Revenging home": Cordelia and the virtue of vengeance
Twelfth night, or what Maria wills
Feminine vindication and the social drama of revenge in The merry wives of Windsor
The quality of revenge: debt, reciprocity, and Portia's "vantage" in The merchant of Venice
Women's gall, women's grace: female friendship, moral rebuke, and the vindictive passions.
Valorous tongues, lamenting voices: the expressive ethics of female inciters in Shakespeare's plays
Reporting the women's causes aright: wounded names and revenge narratives in Hamlet, Titus Andronicus, and Much ado about nothing
Hecuba's legacy: wounded maternity and vengeance in the First tetralogy and Titus Andronicus
"Revenging home": Cordelia and the virtue of vengeance
Twelfth night, or what Maria wills
Feminine vindication and the social drama of revenge in The merry wives of Windsor
The quality of revenge: debt, reciprocity, and Portia's "vantage" in The merchant of Venice
Women's gall, women's grace: female friendship, moral rebuke, and the vindictive passions.