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000425823 010__ $$a  2010017310
000425823 019__ $$a718555196
000425823 020__ $$a9780226567723 (alk. paper)
000425823 020__ $$a0226567729 (alk. paper)
000425823 035__ $$a(OCoLC)ocn457149583
000425823 035__ $$a425823
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000425823 05000 $$aN6915$$b.N27 2010
000425823 08200 $$a709.45/09031$$222
000425823 1001_ $$aNagel, Alexander.
000425823 24514 $$aThe controversy of Renaissance art /$$cAlexander Nagel.
000425823 260__ $$aChicago ;$$aLondon :$$bThe University of Chicago Press,$$c2011.
000425823 300__ $$axi, 358 p. :$$bill. ;$$c26 cm.
000425823 504__ $$aIncludes bibliographical references and index.
000425823 5050_ $$aA nontriumphant Renaissance -- The reformation that never happened in Italy -- Pre- and post-Trent -- Range of the study -- Excavations in Christian art -- Effects of estrangement -- "These are your idols, which you have put in my temple" -- Theater and its double -- Aart historians and their precursors -- The time of the other -- Attending effigies interior cult and exterior cult whores and idols -- Erasure, defacement, unmasking -- Reform as art restoration -- Defamiliarized icons -- The "puppet painter" gets a hearing -- Erasmus unmasks the saints -- Excavations of the image -- A picture of indeterminate subject and uncertain finish -- Threshold painting -- Figures in a loose and unready state -- Images from the underside -- Drawing brought to the surface -- Reconfigurations -- Christian art that is no longer -- Related experiments -- Re-mediations of the altarpiece -- The painter's new profession -- Raphael extracts the icon -- Vision as re-mediation -- Structures of archaism christocentrism -- Transmutation chamber -- Christ as idol -- Animated statues -- Sculpture and the pictorial imaginary -- The idol in Saint Augustine's study -- Statue + column = idolatry in the round and from behind -- Showdown in the arena of painting -- Ficino's ambivalent defense of image magic -- The crucifix as anti-statue -- The antique statue of Christ -- "Christ, who deserved a statue, received instead a cross" -- A statue of Christ from the Holy Land -- Replication and retroactivation -- An antique Christ at the Minerva -- Rhetorical interferences -- Form as symbol -- Avatars of the golden calf in the works of Andrea Riccio -- Gregorio Cortese commissions art at Santa Giustina, 1513 -- Moses and polytheism -- A Moses-idol -- Repetition compulsion -- Christ as idol -- The work of conversion -- Uncompromising logic -- Fire takes the form of bronze -- Recursions -- Religion on earth -- Soft iconoclasm -- Architecture as image -- Forms of iconophobia in Italy -- A semiotic contest -- Replacement and reversion -- Early interventions at Florence and Siena -- Figuration and fulfillment, and vice versa -- "All the other things are shadows" -- The tabernacle in the matrix -- "So long as it is not about saints" -- Raimondi's I modi in Giberti's Rome -- Pornography as iconoclasm -- Nonprocreative art -- A new model of church art at Verona cathedral -- The virgin becomes architecture -- Borromeo interprets Giberti -- The most abstract altarpiece of the Italian Renaissance -- The Vicenza altar and reform circles in northern Italy -- Adventures in aniconism -- The virtues of stones -- The world is an animal -- Displacement.
000425823 650_0 $$aArt, Renaissance$$zItaly.
000425823 650_0 $$aArt$$zItaly.
000425823 650_0 $$aChristian art and symbolism$$zItaly.
000425823 85200 $$bgen$$hN6915$$i.N27$$i2010
000425823 909CO $$ooai:library.usi.edu:425823$$pGLOBAL_SET
000425823 980__ $$aBIB
000425823 980__ $$aBOOK