Introduction / Lois Potter and Joshua Calhoun
Part I: Medieval
Origins and others
Robin Hood: the earliest contexts / Stephen Knight
The outlaw's song of Trailbaston, the Green man, and the facial machine / Stuart Kane
Reynardine and Robin Hood: echoes of an outlaw legend in folk balladry / Stephen D. Winick
Picturing Robin Hood in early print and performance: 1500-1590 / John Marshall
Image and society
"Merry" and "Greenwood": a history of some meanings / Helen Phillips
The late medieval Robin Hood: good yeomanry and bad performances / Kimberly A. Thompson
"From the Castle Hill they came with violence": the Edinburgh Robin Hood riots of 1561 / Michael Wheare
Part II: Post medieval
Image and word
The work of Robin Hood art in an age of mechanical reproduction / Henry Griffy
Robin Hood's home away from home: Howard Pyle and his art students / Jill May
Word and image
"There was something about that spoke of other things than rags and tatters": Howard Pyle and the language of Robin Hood / Alan T. Gaylord
The play's the thing: Tom Sawyer re-enacts Robin Hood / Patricia Lee Yongue
"A song of freedom": Geoffrey Trease's Bows against the barons / Michael R. Evans
Picturing Marian: illustrations of Maid Marian in juvenile fiction / Sherron Lux
Image and performance
Male cross-dressing in Kabuki: Benten the thief / Yoshiko Uéno
Figures of "Robin Hood" in the Chinese cultural imaginary / Jianguo Chen
The images of Robin Hood and Don Juan in George Bernard Shaw's Man and superman / Judy B. McInnis
To steal from the rich and give to the poor: Reginald de Koven's Robin Hood / Orly Leah Krasner
Recovering Reginald de Koven's and Harry Bache Smith's "Lost" operetta Maid Marian / Lorraine Kochanske Stock.