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"Memory as forgetting": historical reference, ethics, and postmodernist fiction
The pageantry of the past and the reflection of the present: history, reality, and feminism in Virginia Woolf's Between the acts
"A knife blade called now": historiography, narrativity, and the "here and now" in Graham Swift's Waterland
"What's real and what's true": metaphors, errata, and the shadow of the real in Salman Rushdie's Midnight's children
"It's enough stories": truth and experience in Art Spiegelman's Maus
Expanding the field.
The pageantry of the past and the reflection of the present: history, reality, and feminism in Virginia Woolf's Between the acts
"A knife blade called now": historiography, narrativity, and the "here and now" in Graham Swift's Waterland
"What's real and what's true": metaphors, errata, and the shadow of the real in Salman Rushdie's Midnight's children
"It's enough stories": truth and experience in Art Spiegelman's Maus
Expanding the field.