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000428574 010__ $$z  2010039889
000428574 020__ $$a9780230118393 (electronic bk.)
000428574 020__ $$z9780230110649
000428574 035__ $$a(OCoLC)ocn712037581
000428574 035__ $$a(CaPaEBR)ebr10462912
000428574 035__ $$a428574
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000428574 05014 $$aPR658.A88$$bI43 2011eb
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000428574 24500 $$aImagining the audience in early modern drama, 1558-1642$$h[electronic resource] /$$cedited by Jennifer A. Low and Nova Myhill.
000428574 250__ $$a1st ed.
000428574 260__ $$aNew York :$$bPalgrave Macmillan,$$c2011.
000428574 300__ $$a1 online resource (viii, 218 p.)
000428574 500__ $$aDescription based on print version record.
000428574 504__ $$aIncludes bibliographical references and index.
000428574 5058_ $$aMachine generated contents note: -- Introduction : audience and audiences / Nova Myhill and Jennifer A. Low -- Crowd control / Paul Menzer -- Taking the stage : spectators as spectacle in the Caroline private theaters / Nova Myhill -- The curious case of the two audiences : Thomas Dekker's Match me in London / Mark Bayer -- Door number three? time, space, and audience in The Menaechmi and The comedy of errors / Jennifer A. Low -- Audience as witness in Edward II / Meg F. Pearson -- Lord of thy presence : bodies, performance, and audience interpretation in Shakespeare's King John / Erika T. Lin -- Charismatic audience : a 1559 pageant / David M. Bergeron -- Audience, actors, and taking part in the revels/ Emma Rhatigan -- Bleared vision in The taming of the shrew / James Wells -- Fitzgrave's jewel : audience and anticlimax in Middleton and Shakespeare / Jeremy Lopez.
000428574 506__ $$aAccess limited to authorized users.
000428574 520__ $$a"The role of the audience takes on new importance when performance is reconceived as a dialectical activity. The essays in this collection examine the relationship between dramatic performance and audience in the work of Shakespeare and his contemporaries. That relationship is complicated by multiple conceptions of the audience: playwrights imagine their audiences; actors address them; the audience actually attending the play is yet another entity. The authors combine theatre history and cultural analysis with examinations of plays and productions to explore how those involved in early modern productions conceived of their audience, how audiences shaped the dramas they watched, and even how the roles of actor and audience member sometimes merged"--$$cProvided by publisher.
000428574 650_0 $$aEnglish drama$$yEarly modern and Elizabethan, 1500-1600$$xHistory and criticism.
000428574 650_0 $$aTheater audiences$$zEngland$$xHistory$$y16th century.
000428574 650_0 $$aEnglish drama$$y17th century$$xHistory and criticism.
000428574 650_0 $$aTheater audiences$$zEngland$$xHistory$$y17th century.
000428574 650_0 $$aTheater$$zEngland$$xHistory.
000428574 655_0 $$aElectronic books.
000428574 7001_ $$aLow, Jennifer A.,$$d1962-
000428574 7001_ $$aMyhill, Nova,$$d1970-
000428574 77608 $$iPrint version:$$tImagining the audience in early modern drama, 1558-1642.$$b1st ed.$$dNew York : Palgrave Macmillan, 2011$$z9780230110649$$w(DLC) 2010039889$$w(OCoLC)662407403
000428574 8520_ $$bacq
000428574 85280 $$bebk$$hProquest Ebook Central
000428574 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=678871$$zOnline Access
000428574 909CO $$ooai:library.usi.edu:428574$$pGLOBAL_SET
000428574 980__ $$aEBOOK
000428574 980__ $$aBIB
000428574 982__ $$aEbook
000428574 983__ $$aOnline