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000429376 001__ 429376
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000429376 010__ $$z  2010006797
000429376 020__ $$z9781441103802 (hardcover : alk. paper)
000429376 020__ $$z1441103805 (hardcover : alk. paper)
000429376 020__ $$z9781441188243 (e-book)
000429376 035__ $$a(CaPaEBR)ebr10443226
000429376 035__ $$a(OCoLC)699511022
000429376 040__ $$aCaPaEBR$$cCaPaEBR
000429376 05014 $$aPN1997.85$$b.C66 2010eb
000429376 08204 $$a791.43/6$$222
000429376 1001_ $$aConstandinides, Costas.
000429376 24510 $$aFrom film adaptation to post-celluloid adaptation$$h[electronic resource] :$$brethinking the transition of popular narratives and characters across old and new media /$$cCostas Constandinides.
000429376 260__ $$aNew York :$$bContinuum,$$c2010.
000429376 300__ $$a166 p. :$$bill.
000429376 504__ $$aIncludes bibliographical references (p. [151]-156) and index.
000429376 5050_ $$aIntroduction -- Towards the intertextual dialogism approach -- Towards post-celluloid adaptation -- From the pre-diction of crime to the pre-vision of screenless media : Spielberg's adaptation of Philip K. Dick's The minority report -- Adapting the literature of the double : manifestations of cinematic forms in Fight club and Enduring love -- Bullet-time, blood spraying time, and the adaptation of the graphic novel -- From shadows to excess : new media Hollywood and the digitizing of gothic monsters in Van Helsing -- Puppet Kong vs. synthetic Kong : Peter Jackson's King Kong as post-celluloid adaptation -- Conclusion.
000429376 506__ $$aAccess limited to authorized users.
000429376 650_0 $$aFilm adaptations$$xHistory and criticism.
000429376 655_0 $$aElectronic books.
000429376 852__ $$bebk
000429376 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://site.ebrary.com/lib/usiricelib/Doc?id=10443226$$zOnline Access
000429376 909CO $$ooai:library.usi.edu:429376$$pGLOBAL_SET
000429376 980__ $$aEBOOK
000429376 980__ $$aBIB
000429376 982__ $$aEbook
000429376 983__ $$aOnline