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How to break in; or, Why it's all so random
How to be a TV staff writer; or, Why there is no I in team
How to make your writing personal; or, Why you must take the "me" out of it
How to be a better writer; or, Why that college degree matters
How to find your voice; or, Why theme is important
How to embrace or ignore your past; or, Why you must say yes
How to start writing; or, Why writer's block is bunk
How to really write a teleplay; or, Why it's about process, not product
How to run a show; or, Why you should be careful what you wish for
Case study : Tim Kring and Heroes.

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