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000433458 001__ 433458
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000433458 008__ 110516s2012\\\\caug\\\\\b\\\\001\0\eng\\
000433458 010__ $$a  2011020890
000433458 020__ $$a9780520260863 (alk. paper)
000433458 020__ $$a0520260864 (alk. paper)
000433458 035__ $$a(OCoLC)ocn712114142
000433458 035__ $$a433458
000433458 040__ $$aDLC$$beng$$cDLC$$dBTCTA$$dERASA$$dUKMGB$$dYDXCP$$dBWX$$dVKC$$dWTU$$dC#P$$dCOO$$dIG#$$dPUL$$dSTF
000433458 042__ $$apcc
000433458 049__ $$aISEA
000433458 05000 $$aML410.M9$$bR86 2012
000433458 08200 $$a780.92$$223
000433458 1001_ $$aRumph, Stephen C.
000433458 24510 $$aMozart and Enlightenment semiotics /$$cStephen Rumph.
000433458 260__ $$aBerkeley :$$bUniversity of California Press,$$cc2012.
000433458 300__ $$axvi, 265 p. :$$bmusic ;$$c24 cm.
000433458 500__ $$a"An Ahmanson Foundation book in the humanities"--Dust jacket.
000433458 504__ $$aIncludes bibliographical references and index.
000433458 5050_ $$aFrom rhetoric to semiotics -- The sense of touch in Don Giovanni -- Topics in context -- Mozart and Marxism -- A dubious credo -- Archaic endings.
000433458 60010 $$aMozart, Wolfgang Amadeus,$$d1756-1791$$xCriticism and interpretation.
000433458 650_0 $$aMusic$$y18th century$$xHistory and criticism.
000433458 650_0 $$aMusic$$xSemiotics.
000433458 650_0 $$aEnlightenment.
000433458 85200 $$bgen$$hML410.M9$$iR86$$i2012
000433458 909CO $$ooai:library.usi.edu:433458$$pGLOBAL_SET
000433458 980__ $$aBIB
000433458 980__ $$aBOOK