000434140 000__ 01260cam\a22002894a\4500
000434140 001__ 434140
000434140 005__ 20210513151819.0
000434140 008__ 110224s2012\\\\njua\\\\\b\\\\001\0\eng\\
000434140 010__ $$a  2011008603
000434140 020__ $$a9780691151380 (alk. paper)
000434140 020__ $$a0691151385 (alk. paper)
000434140 035__ $$a(OCoLC)ocn705568304
000434140 035__ $$a434140
000434140 040__ $$aDLC$$beng$$cDLC$$dYDX$$dERASA$$dYDXCP$$dBWX$$dCDX$$dIG#$$dGZM
000434140 042__ $$apcc
000434140 049__ $$aISEA
000434140 05000 $$aND196.P64$$bF67 2012
000434140 08200 $$a759.06/71$$222
000434140 1001_ $$aFoster, Hal.
000434140 24514 $$aThe first Pop age :$$bpainting and subjectivity in the art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha /$$cHal Foster.
000434140 24630 $$aPainting and subjectivity in the art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha
000434140 260__ $$aPrinceton [N.J.] :$$bPrinceton University Press,$$cc2012.
000434140 300__ $$a337 p. :$$bill. (some col.) ;$$c22 cm.
000434140 504__ $$aIncludes bibliographical references and indexes.
000434140 5050_ $$aHomo imago -- Richard Hamilton, or The tabular image -- Roy Lichtenstein, or The cliche image -- Andy Warhol, or The distressed image -- Gerhard Richter, or The photogenic image -- Ed Ruscha, or The deadpan image -- Pop test.
000434140 650_0 $$aPainting, Modern$$y20th century.
000434140 650_0 $$aPop art.
000434140 85200 $$bgen$$hND196.P64$$iF67$$i2012
000434140 909CO $$ooai:library.usi.edu:434140$$pGLOBAL_SET
000434140 980__ $$aBIB
000434140 980__ $$aBOOK