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000434193 035__ $$a(OCoLC)ocn719427888
000434193 035__ $$a434193
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000434193 049__ $$aISEA
000434193 05000 $$aGV1631$$b.D36 2011
000434193 08200 $$a793.3/19729$$223
000434193 1001_ $$aDaniel, Yvonne,$$d1940-
000434193 24510 $$aCaribbean and Atlantic diaspora dance :$$bigniting citizenship /$$cYvonne Daniel.
000434193 260__ $$aUrbana, Ill. :$$bUniversity of Illinois Press,$$cc2011.
000434193 300__ $$axviii, 266 p. :$$bill. ;$$c24 cm.
000434193 504__ $$aIncludes bibliographical references and index.
000434193 520__ $$a" In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas, rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de man̕. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism"--Provided by publisher.
000434193 650_0 $$aDance$$zCaribbean Area.
000434193 650_0 $$aDance$$xSocial aspects$$zCaribbean Area.
000434193 650_0 $$aDance$$xAnthropological aspects$$zCaribbean Area.
000434193 650_0 $$aDance$$zCaribbean Area$$xAfrican influences.
000434193 650_0 $$aDance$$zCaribbean Area$$xEuropean influences.
000434193 85200 $$bgen$$hGV1631$$i.D36$$i2011
000434193 909CO $$ooai:library.usi.edu:434193$$pGLOBAL_SET
000434193 980__ $$aBIB
000434193 980__ $$aBOOK