000435076 000__ 02851cam\a2200385\a\4500 000435076 001__ 435076 000435076 005__ 20210513152043.0 000435076 008__ 110419s2011\\\\onca\\\\\b\\\\001\0\eng\c 000435076 020__ $$a9781442643642 000435076 020__ $$a1442643641 000435076 020__ $$a9781442612105 (pbk.) 000435076 020__ $$a144261210X (pbk.) 000435076 035__ $$a(OCoLC)ocn718183887 000435076 035__ $$a435076 000435076 040__ $$aNLC$$beng$$cNLC$$dYDXCP$$dBWX$$dCDX$$dMIX$$dLHU$$dGZM$$dBDX$$dOBE 000435076 042__ $$apcc 000435076 049__ $$aISEA 000435076 050_4 $$aPN56.V543$$bA35 2011 000435076 08204 $$a700.1/05$$223 000435076 1001_ $$aAckerman, Alan L.$$q(Alan Louis) 000435076 24510 $$aSeeing things :$$bfrom Shakespeare to Pixar /$$cAlan Ackerman. 000435076 260__ $$aToronto ;$$aBuffalo :$$bUniversity of Toronto Press,$$cc2011. 000435076 300__ $$ax, 169 p. ;$$c23 cm. 000435076 504__ $$aIncludes bibliographical references and index. 000435076 5050_ $$aA spirit of giving in A midsummer night 's dream -- Visualizing Hamlet's ghost : the theatrical spirit of modern subjectivity -- Samuel Beckett's spectres du noir : the being of painting and the flatness of Film -- The spirit of toys : resurrection, redemption, and consumption in Toy story, Toy story 2, and beyond. 000435076 520__ $$a"A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing in Seeing Things, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media. Seeing Things demonstrates that the airy nothings of A Midsummer Night's Dream, the Ghost in Hamlet, and soulless bodies in Beckett's media experiments, alongside Toy Story's digitally animated toys, all serve to illustrate the modern problem of visualizing, as Hamlet put it, 'that within which passes show.' Ackerman carefully analyses such ghostly appearances and disappearances across cultural forms and contexts from the early modern period to the present, investigating the tension between our distrust of shadows and our abiding desire to believe in invisible realities. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations."--P. [i]. 000435076 650_0 $$aVisual perception in literature. 000435076 650_0 $$aVisualization in literature. 000435076 650_0 $$aImagination in literature. 000435076 650_0 $$aImagery (Psychology) in literature. 000435076 650_0 $$aImagery (Psychology) in motion pictures. 000435076 650_0 $$aPhilosophy in literature. 000435076 650_0 $$aPhilosophy in motion pictures. 000435076 650_0 $$aVisual perception. 000435076 650_0 $$aVisual communication. 000435076 85200 $$bgen$$hPN56.V543$$iA35$$i2011 000435076 909CO $$ooai:library.usi.edu:435076$$pGLOBAL_SET 000435076 980__ $$aBIB 000435076 980__ $$aBOOK