000435092 000__ 03191cam\a2200301\a\4500 000435092 001__ 435092 000435092 005__ 20210513152046.0 000435092 008__ 111004s2012\\\\nyua\\\\\b\\\\001\0\eng\\ 000435092 010__ $$a 2011041745 000435092 020__ $$a9780231159463 (alk. paper) 000435092 020__ $$a0231159463 (alk. paper) 000435092 035__ $$a(OCoLC)ocn756045736 000435092 035__ $$a435092 000435092 040__ $$aDLC$$beng$$cDLC$$dYDX$$dUKMGB$$dERASA$$dBDX$$dYDXCP$$dZCU$$dBWX$$dGZL$$dCDX$$dCGU$$dISE 000435092 043__ $$an-us--- 000435092 049__ $$aISEA 000435092 05000 $$aKF3070$$b.D43 2012 000435092 08200 $$a346.7304/82$$223 000435092 1001_ $$aDecherney, Peter. 000435092 24510 $$aHollywood's copyright wars :$$bfrom Edison to the Internet /$$cPeter Decherney. 000435092 260__ $$aNew York :$$bColumbia University Press,$$cc2012. 000435092 300__ $$axii, 287 p. :$$bill. ;$$c24 cm. 000435092 440_0 $$aFilm and culture. 000435092 504__ $$aIncludes bibliographical references and index. 000435092 5050_ $$aIntroduction. The theater of copyright -- Piracy and the birth of film -- Hollywood's golden age of plagiarism -- Auteurism on trial : moral rights and films on television -- Hollywood's guerrilla war : fair use and home video -- Digital Hollywood : too much control and too much freedom -- Conclusion. The copyright reform movement. 000435092 520__ $$a"Copyright law is important to every stage of media production and reception. It helps determine filmmakers' artistic decisions, Hollywood's corporate structure, and the varieties of media consumption. The rise of digital media and the internet has only expanded copyright's reach. Everyone from producers and sceenwriters to amateur video makers, file sharers, and internet entrepreneurs has a stake in the history and future of piracy, copy protection, and the public domain. Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Many of Hollywood's most valued treasures, from Modern Times (1936) to Star Wars (1977), cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law. Many landmark decisions have barely changed the industry's behavior, while some quieter policies have had revolutionary effects. His most remarkable contributions uncover Hollywood's reliance on self-regulation. Rather than involve congress, judges, or juries in settling copyright disputes, studio heads and filmmakers have often kept such arguments 'in house,' turning to talent guilds and other groups for solutions. Whether the issue has been battling piracy in the 1900s, controlling the threat of home video, or managing modern amateur and noncommercial uses of protected content, much of Hollywood's engagement with the law has occurred offstage, in the larger theater of copyright. Decherney's unique history recounts these extralegal solutions and their impact on American media and culture"--Provided by publisher. 000435092 650_0 $$aCopyright$$xMotion pictures$$zUnited States$$xHistory. 000435092 650_0 $$aCopyright$$xBroadcasting rights$$zUnited States$$xHistory. 000435092 85200 $$bgen$$hKF3070$$i.D43$$i2012 000435092 909CO $$ooai:library.usi.edu:435092$$pGLOBAL_SET 000435092 980__ $$aBIB 000435092 980__ $$aBOOK