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000436169 010__ $$a  2011000457
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000436169 05000 $$aND237.M58$$bA85 2011
000436169 08200 $$a759.13$$aB$$222
000436169 1001_ $$aAlbers, Patricia.
000436169 24510 $$aJoan Mitchell :$$blady painter : a life /$$cPatricia Albers.
000436169 250__ $$a1st ed.
000436169 260__ $$aNew York :$$bAlfred A. Knopf,$$c2011.
000436169 300__ $$axxi, 514 p., [8] p. of plates :$$bill. (some col.) ;$$c25 cm.
000436169 504__ $$aIncludes bibliographical references and index.
000436169 5050_ $$aChicago. Jimmie and Marion ; Satin curtains redux ; The lake ; War and peace ; Taking from everybody -- New York. Tenth Street ; Savage debut ; The hurricane ; Hudson River day line ; To the harbormaster -- Paris. Seeing something through -- Vétheuil. La Tour ; Vinnie and Thea ; La Grande Vallée ; A few days ; Ici.
000436169 520__ $$a"Gee, Joan, if only you were French and male and dead," said a New York art dealer to Joan Mitchell in the 1950s. She was a steel heiress from the Midwest (her grandfather built Chicago's bridges and worked for Andrew Carnegie). She was a daughter of the American Revolution--Anglo-Saxon, Republican, Episcopalian. She was tough, disciplined, courageous, dazzling, and went up against the masculine art world at its most entrenched, made her way in it, and disproved their notion that women couldn't paint. This is the first full-scale biography of the abstract expressionist painter who came of age in the 1950s, '60s, and '70s. Biographer Patricia Albers reconstructs the painter's large, impassioned, messy, reckless life: her growing prominence as an artist, her marriage and affairs, her friendships with poets and painters, her extraordinary work.--From publisher description.
000436169 60010 $$aMitchell, Joan,$$d1925-1992.
000436169 650_0 $$aPainters$$zUnited States$$vBiography.
000436169 650_0 $$aAbstract expressionism$$zUnited States.
000436169 85200 $$bgen$$hND237.M58$$iA85$$i2011
000436169 909CO $$ooai:library.usi.edu:436169$$pGLOBAL_SET
000436169 980__ $$aBIB
000436169 980__ $$aBOOK