000436170 000__ 02682cam\a2200325\a\4500 000436170 001__ 436170 000436170 005__ 20210513152323.0 000436170 008__ 101029s2011\\\\nyuaf\\\\b\\\\001\0beng\\ 000436170 010__ $$a 2010046541 000436170 019__ $$a436029958 000436170 020__ $$a9780307378446 000436170 020__ $$a0307378446 000436170 035__ $$a(OCoLC)ocn676923220 000436170 035__ $$a436170 000436170 040__ $$aDLC$$beng$$cDLC$$dIG#$$dBUR$$dYDXCP$$dORX$$dVP@$$dUKMGB$$dBTCTA$$dBWX$$dBDX 000436170 043__ $$an-us--- 000436170 049__ $$aISEA 000436170 05000 $$aML419.A75$$bR47 2011 000436170 08200 $$a781.65092$$aB$$222 000436170 1001_ $$aRiccardi, Ricky,$$d1980- 000436170 24510 $$aWhat a wonderful world :$$bthe magic of Louis Armstrong's later years /$$cRicky Riccardi. 000436170 250__ $$a1st ed. 000436170 260__ $$aNew York :$$bPantheon Books,$$cc2011. 000436170 300__ $$axxii, 369 p., [16] p. of plates :$$bill. ;$$c25 cm. 000436170 504__ $$aIncludes bibliographical references and index. 000436170 5050_ $$aBirth of the All Stars -- Europe, 1948 -- King of the Zulus, 1949 -- Decca days, 1950-1951 -- Personnel changes, 1951-1952 -- The King of Jazz meets the King of Swing, 1953 -- A brush with the law, 1953-1954 -- Columbia masterpieces, 1954-1955 -- Ambassador Satch, 1955-1956 -- Wrath of the critics, 1956 -- Showdown, 1957 -- The rigors of touring at home and abroad, 1957-1959 -- The vicissitudes of cardiac arrest, 1959-1960 -- From the Dukes of Dixieland to Dave Brubeck, 1960-1963 -- Hello, Dolly! 1964 -- From the Iron Curtain to the Crescent City, 1965-1966 -- What a wonderful world, 1967-1968 -- Winter of his discontent, 1968-1970 -- Good evening, everybody, 1970-1971. 000436170 520__ $$aMuch has been written about Louis Armstrong, but the majority of it focuses on the early and middle stages of his long career. Now, Ricky Riccardi--jazz scholar and musician--takes an in-depth look at the years in which Armstrong was often dismissed as a buffoonish, if popular, entertainer, and shows us instead the inventiveness and depth of expression that his music evinced during this time. These are the years (from after World War II until his death in 1971) when Armstrong entertained crowds around the world and recorded his highest-charting hits, including "Mack the Knife" and "Hello, Dolly!"; years when he collaborated with, among others, Ella Fitzgerald, Duke Ellington, and Dave Brubeck; when he recorded with strings and big bands, and, of course, with the All Stars, his primary recording ensemble. Riccardi makes clear that these were years in which Armstrong enhanced his legacy as one of jazz's most influential figures.--From publisher description. 000436170 60010 $$aArmstrong, Louis,$$d1901-1971. 000436170 650_0 $$aJazz musicians$$zUnited States$$vBiography. 000436170 650_0 $$aAfrican American musicians$$vBiography. 000436170 85200 $$bgen$$hML419.A75$$iR47$$i2011 000436170 909CO $$ooai:library.usi.edu:436170$$pGLOBAL_SET 000436170 980__ $$aBIB 000436170 980__ $$aBOOK