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000436407 001__ 436407
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000436407 010__ $$a  2011016718
000436407 020__ $$a9780300175677$$q(alkaline paper)
000436407 020__ $$a0300175671$$q(alkaline paper)
000436407 035__ $$a(OCoLC)ocn711045523
000436407 035__ $$a436407
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000436407 05000 $$aND467$$b.S72 2011
000436407 08200 $$a759.209/034$$223
000436407 1001_ $$aStaley, Allen.
000436407 24514 $$aThe new painting of the 1860s :$$bbetween the pre-Raphaelites and the aesthetic movement /$$cAllen Staley.
000436407 260__ $$aNew Haven [Conn.] :$$bPublished for the Paul Mellon Centre for Studies in British Art by Yale University Press,$$cc2011.
000436407 300__ $$aix, 438 p. :$$bill. (some col.) ;$$c30 cm.
000436407 504__ $$aIncludes bibliographical references and index.
000436407 5050_ $$aIntroduction -- Younger men and new developments 1856-1862 -- Dante Gabriel Rossetti -- Frederick Sandys -- Simeon Solomon -- Albert Moore -- James McNeill Whistler -- Edward Poynter -- Frederic Leighton -- George Frederic Watts -- Edward Burne-Jones -- Conclusion -- Postscripts. Three altarpieces -- William Holman Hunt, 1860-1869 -- John Everett Millais, 1856-1869.
000436407 520__ $$aThis handsome volume is the first authoritative survey of one of the most intriguing periods of British art--the radically innovative decade of the 1860s. The book explores new developments in English painting of this period, focusing on the early work of Edward Burne-Jones, Frederic Leighton, Albert Moore, Edward Poynter, Simeon Solomon, and James McNeill Whistler, as well as on paintings by Frederick Sandys and the older G. F. Watts, and by Dante Gabriel Rossetti and his Pre-Raphaelite colleagues Holman Hunt and John Everett Millais. Allen Staley argues that engagement in the decorative arts, particularly by Burne-Jones, Moore, and Poynter at the outset of their careers, led to a transcending of traditional expectations of painting, making abstract formal qualities, or beauty for beauty's sake, the main goal. Rather than being about what it depicts, the painting itself becomes its own subject. The New Painting of the 1860s examines the interplay among the artists and the shared ambitions underlying their works, giving impetus to what would soon come to be known as the Aesthetic Movement.
000436407 650_0 $$aPainting, English$$y19th century.
000436407 650_0 $$aPainters$$zEngland$$xIntellectual life$$y19th century.
000436407 650_0 $$aAesthetics, Modern$$y19th century.
000436407 85200 $$bgen$$hND467$$i.S72$$i2011
000436407 909CO $$ooai:library.usi.edu:436407$$pGLOBAL_SET
000436407 980__ $$aBIB
000436407 980__ $$aBOOK