Essays in dramatic literature; the Parrott presentation volume, by pupils of Thomas Marc Parrott of Princeton University, published in his honor. Edited by Hardin Craig.
Parrott, Thomas Marc, 1866-1960.; Craig, Hardin, 1875-1968 ed.
1967
PR627 .E7 1967 (Mapit)
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Title Essays in dramatic literature; the Parrott presentation volume, by pupils of Thomas Marc Parrott of Princeton University, published in his honor. Edited by Hardin Craig.
Alternate Title The Parrott presentation volume.
Imprint New York, Russell & Russell [1967]
Language English
Description 470 p. port. 25 cm.
Call Number PR627 .E7 1967
Dewey Decimal Classification 822/.009
Note Reprint of the 1935 edition.
--Sir Giles Mompesson and Sir Giles Overreach, by R. H. Ball.--A deep and sad passion, by D. A. Stauffer.--Milton and Euripides, by P. W. Timberlake.--The shipwreck, by W. Huse.--Henry Nevil Payne, dramatist and Jacobite conspirator, by W. Thorp.--Dryden's tagged version of Paradise lost, by P. S. Havens.--The influence of Shakespeare on Smollett, by G. M. Kahrl.--The verse lining of the First Quarto of King Lear, by E. Hubler.--Jane Bell: printer at the East end of Christ-Church, by R. Kirk.--The philosophy of Hamlet, by J. E. Baker.
Bibliography, etc. Note Bibliographical footnotes.
Added Author Parrott, Thomas Marc, 1866-1960.
Craig, Hardin, 1875-1968 ed.
Record Appears in On-Campus Resources > Books
All Resources
Thomas Marc Parrott, by J. D. Spaeth.
Published writings of Professor Parrott, by H. Clemons (p. [13]-24)
Ethics in the Jacobean drama: the case of Chapman, by H. Craig.
Early sentimental comedy, by D. C. Croissant.
Political theory in the plays of George Chapman, by C. W. Kennedy.
For Shakespeare's Hamlet, by H. Cummings.
The greatest of Elizabethan melodramas, by L. Lockert.
Shakespeare's Troilus and Cressida, yet deeper in its tradition, by W. B. D. Henderson.
A note upon William Shakespeare's use of Pliny, by T. W. Baldwin.
The drama in a frontier theater, by G. R. Stewart.
The scenes as Shakespeare saw them, by T. B. Hunt.
Shakespeare's portrayal of Shylock, by H. B. Walley.
Byron's Werner re-estimated: a neglected chapter in nineteenth century stage history, by T. H. V. Motter.

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