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Thomas Marc Parrott, by J. D. Spaeth.
Published writings of Professor Parrott, by H. Clemons (p. [13]-24)
Ethics in the Jacobean drama: the case of Chapman, by H. Craig.
Early sentimental comedy, by D. C. Croissant.
Political theory in the plays of George Chapman, by C. W. Kennedy.
For Shakespeare's Hamlet, by H. Cummings.
The greatest of Elizabethan melodramas, by L. Lockert.
Shakespeare's Troilus and Cressida, yet deeper in its tradition, by W. B. D. Henderson.
A note upon William Shakespeare's use of Pliny, by T. W. Baldwin.
The drama in a frontier theater, by G. R. Stewart.
The scenes as Shakespeare saw them, by T. B. Hunt.
Shakespeare's portrayal of Shylock, by H. B. Walley.
Byron's Werner re-estimated: a neglected chapter in nineteenth century stage history, by T. H. V. Motter.
Published writings of Professor Parrott, by H. Clemons (p. [13]-24)
Ethics in the Jacobean drama: the case of Chapman, by H. Craig.
Early sentimental comedy, by D. C. Croissant.
Political theory in the plays of George Chapman, by C. W. Kennedy.
For Shakespeare's Hamlet, by H. Cummings.
The greatest of Elizabethan melodramas, by L. Lockert.
Shakespeare's Troilus and Cressida, yet deeper in its tradition, by W. B. D. Henderson.
A note upon William Shakespeare's use of Pliny, by T. W. Baldwin.
The drama in a frontier theater, by G. R. Stewart.
The scenes as Shakespeare saw them, by T. B. Hunt.
Shakespeare's portrayal of Shylock, by H. B. Walley.
Byron's Werner re-estimated: a neglected chapter in nineteenth century stage history, by T. H. V. Motter.