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000436532 010__ $$a  2011014824
000436532 020__ $$a9780472117819 (alk. paper)
000436532 020__ $$a0472117815 (alk. paper)
000436532 035__ $$a(OCoLC)ocn687681373
000436532 035__ $$a436532
000436532 040__ $$aDLC$$beng$$cDLC$$dBTCTA$$dERASA$$dYDXCP$$dBWX$$dUKMGB$$dYHM$$dCDX$$dC#P$$dBDX
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000436532 043__ $$an-us---
000436532 049__ $$aISEA
000436532 05000 $$aPN4151$$b.H64 2011
000436532 08200 $$a811$$222
000436532 1001_ $$aHoffman, Tyler.
000436532 24510 $$aAmerican poetry in performance :$$bfrom Walt Whitman to hip hop /$$cTyler Hoffman.
000436532 260__ $$aAnn Arbor :$$bUniversity of Michigan Press,$$cc2011.
000436532 300__ $$a271 p. ;$$c24 cm.
000436532 504__ $$aIncludes bibliographical references and index.
000436532 5050_ $$aIntroduction -- Walt Whitman "live": performing the public sphere -- The ordeal of Vachel Lindsay, or the cultural politics of the spoken word -- "The Black man speaks": Langston Hughes, the new Negro, and the sounds of citizenship -- Beat acoustics, presence, and resistance -- "Rappin' and readin'": the frequencies of the Black arts -- Slam nation: immediacy, mediatization, and the counterpublic sphere.
000436532 650_0 $$aPerformance poetry$$zUnited States$$xHistory and criticism.
000436532 650_0 $$aOral interpretation of poetry.
000436532 650_0 $$aAmerican poetry$$xHistory and criticism.
000436532 650_0 $$aAmerican poetry$$xAfrican American authors$$xHistory and criticism.
000436532 650_0 $$aPoetry slams$$zUnited States$$xHistory.
000436532 85200 $$bgen$$hPN4151$$i.H64$$i2011
000436532 909CO $$ooai:library.usi.edu:436532$$pGLOBAL_SET
000436532 980__ $$aBIB
000436532 980__ $$aBOOK