000436559 000__ 03301cam\a2200313\a\4500 000436559 001__ 436559 000436559 005__ 20210513152421.0 000436559 008__ 100407s2010\\\\mauaf\\\\b\\\s001\0beng\\ 000436559 010__ $$a 2010014697 000436559 020__ $$a9781558498266 (alk. paper) 000436559 020__ $$a1558498265 (alk. paper) 000436559 020__ $$a9781558498273 (pbk. : alk. paper) 000436559 020__ $$a1558498273 (pbk. : alk. paper) 000436559 035__ $$a(OCoLC)ocn475454031 000436559 040__ $$aDLC$$cDLC$$dBTCTA$$dC#P$$dYDXCP$$dBWX$$dCDX$$dTTS$$dNSB$$dUKMGB$$dMIX$$dOHRRH$$dBDX 000436559 043__ $$an-us--- 000436559 049__ $$aISEA 000436559 05000 $$aML420.C265$$bS55 2010 000436559 08200 $$a782.421642092$$aB$$222 000436559 1001_ $$aSilverman, Jonathan,$$d1965- 000436559 24510 $$aNine choices :$$bJohnny Cash and American culture /$$cJonathan Silverman. 000436559 24630 $$aJohnny Cash and American culture 000436559 260__ $$aAmherst :$$bUniversity of Massachusetts Press,$$cc2010. 000436559 300__ $$axi, 278 p., [16] p. of plates :$$bill. ;$$c24 cm. 000436559 504__ $$aIncludes bibliographical references and index. 000436559 5050_ $$aIntroduction -- Cash chooses Memphis -- Cash chooses Columbia -- Cash chooses prison -- Cash chooses June Carter -- Cash chooses (not to choose) Vietnam -- Cash chooses television -- Cash chooses his faith -- Cash chooses Rick Rubin -- Cash chooses Sotheby's. 000436559 520__ $$aThis work is a cultural biography of a self-made American icon. For much of his career, Johnny Cash opened his shows with the tagline, "Hello, I'm Johnny Cash." This introduction seemed unnecessary, since everyone in the audience knew who he was, the famous musical artist whose career spanned almost five decades, whose troubled life on and off the stage received wide publicity, and whose cragged face seemed to express a depth and intensity not found in any other artist, living or dead. For Cash, as for many celebrities, renown was the product of both hard work and luck. Often a visionary and always a tireless performer, he was subject to a whirlwind of social, economic, and cultural countercurrents. This book explores the tension between Cash's desire for mainstream success, his personal struggles with alcohol and drugs, and an ever changing cultural landscape that often circumscribed his options. Drawing on interviews, archival research, and textual analysis, the author focuses on Cash's personal and artistic choices as a way of understanding his life, his impact on American culture, and the ways in which that culture in turn shaped him. Cash made decisions about where he would live, what he would play, who would produce his albums, whether he would support the Vietnam War, and even if he would flip his famous "bird", the iconic image of Cash giving the finger which is now plastered on posters and T-shirts everywhere, in the context of cultural forces both visible and opaque. He made other decisions in consultation with a variety of people, many of whom were chiefly concerned with the reaction of his audiences. Less a conventional biography than a study of the making of an identity, the book explores how Johnny Cash sought to define who he was, how he was perceived, and what he signified through a series of self-conscious actions. The result, the author shows, was a life that was often tumultuous but never uninteresting. 000436559 60010 $$aCash, Johnny. 000436559 650_0 $$aCountry musicians$$zUnited States$$vBiography. 000436559 85200 $$bgen$$hML420.C265$$iS55$$i2010 000436559 909CO $$ooai:library.usi.edu:436559$$pGLOBAL_SET 000436559 980__ $$aBIB 000436559 980__ $$aBOOK