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Introduction / Frank Occhiogrosso
Close readings of the written text. A special meaning of "within" / Mariko Ichikawa
"Music plays and they dance": a close reading of Romeo and Juliet, 1.5 / Frank Occhiogrosso
"Post-alone": a missing word and the limits of biography / Lachlan Mackinnon
Shakespeare's secret language, with specimens from a commentary / John Russell Brown
Close reading, illustration, and productive ambivalence / Stuart Sillars
A dramatic function of Caliban's "Be not afeared" speech in The tempest / John Mucciolo
"Mention my name in Verona": is Cassio Florentine? / Steve Sohmer
Close reading of performance. Close enough readings, or trying to ascribe the actor's part in analyzing performance texts / Kevin A. Ewart
Reading Morocco: four film versions of The merchant of Venice / Boika Sokolova
Red button Shakespeare / Rob Conkie
Can we/should we close read performance? / Andrew James Hartley.

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