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000436577 010__ $$z  2009040742
000436577 0167_ $$z015494171$$2Uk
000436577 020__ $$a9780520945692$$q(electronic book)
000436577 020__ $$z9780520264793
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000436577 035__ $$a(OCoLC)ocn655853281
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000436577 05014 $$aML3854$$b.A84 2010eb
000436577 08204 $$a781.49$$222
000436577 1001_ $$aAshby, Arved Mark.
000436577 24510 $$aAbsolute music, mechanical reproduction$$h[electronic resource] /$$cArved Ashby.
000436577 260__ $$aBerkeley :$$bUniversity of California Press,$$cc2010.
000436577 300__ $$a1 online resource (xii, 317 p.) :$$bill., music
000436577 504__ $$aIncludes bibliographical references (p.299-308) and index.
000436577 5050_ $$aThe recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies --  Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist.
000436577 506__ $$aAccess limited to authorized users.
000436577 520__ $$aRecordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart.
000436577 588__ $$aDescription based on print version record.
000436577 60010 $$aGould, Glenn$$xCriticism and interpretation.
000436577 60010 $$aSchnabel, Artur,$$d1882-1951$$xCriticism and interpretation.
000436577 650_0 $$aAbsolute music.
000436577 650_0 $$aSound recordings$$xSocial aspects.
000436577 650_0 $$aMusic$$xPhilosophy and aesthetics.
000436577 650_0 $$aPerformance practice (Music)$$xHistory$$y20th century.
000436577 650_0 $$aMusic and technology.
000436577 650_0 $$aSound$$xRecording and reproducing$$xDigital techniques.
000436577 650_0 $$aMP3 (Audio coding standard)$$xSocial aspects.
000436577 77608 $$iPrint version:$$aAshby, Arved Mark.$$tAbsolute music, mechanical reproduction.$$dBerkeley : University of California Press, 2010$$z9780520264793$$z9780520264809$$w(DLC) 2009040742$$w(OCoLC)449860806
000436577 8520_ $$bacq
000436577 85280 $$bebk$$hProQuset Ebook Central
000436577 85280 $$bebk$$hProQuest Ebook Central Academic Complete
000436577 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=566757$$zOnline Access
000436577 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=566757$$zOnline Access
000436577 909CO $$ooai:library.usi.edu:436577$$pGLOBAL_SET
000436577 980__ $$aEBOOK$$aEBOOK
000436577 980__ $$aBIB
000436577 982__ $$aEbook
000436577 983__ $$aOnline