000436583 000__ 02768cam\a2200421Ia\4500 000436583 001__ 436583 000436583 005__ 20210513152425.0 000436583 006__ m\\\\\\\\u\\\\\\\\ 000436583 007__ cr\cn\nnnunnun 000436583 008__ 120424s2010\\\\cau\\\\\ob\\\\001\0\eng\d 000436583 010__ $$z 2010005646 000436583 020__ $$a9780520947405 000436583 020__ $$z9780520262829 000436583 020__ $$z9780520262836 (pbk.) 000436583 035__ $$a(OCoLC)ocn659591219 000436583 035__ $$a(CaPaEBR)ebr10402712 000436583 035__ $$a436583 000436583 040__ $$aCaPaEBR$$cCaPaEBR 000436583 05014 $$aML3550$$b.M86 2010eb 000436583 08204 $$a780.89/960729$$222 000436583 1001_ $$aMunro, Martin. 000436583 24510 $$aDifferent drummers$$h[electronic resource] :$$brhythm and race in the Americas /$$cMartin Munro. 000436583 260__ $$aBerkeley :$$bUniversity of California Press,$$cc2010. 000436583 300__ $$a1 online resource (ix, 280 p.) 000436583 440_0 $$aMusic of the African diaspora ;$$v14. 000436583 504__ $$aIncludes bibliographical references and index. 000436583 5050_ $$aBeating back darkness: rhythm and revolution in Haiti -- Rhythm, Creolization, and conflict in Trinidad -- Rhythm, music, and literature in the French Caribbean -- James Brown, rhythm, and black power. 000436583 506__ $$aAccess limited to authorized users. 000436583 520__ $$aLong a taboo subject among critics, rhythm finally takes center stage in this book's dazzling, wide ranging examination of diverse black cultures across the New World. This work traces the central, and contested, role of music in shaping identities, politics, social history, and artistic expression. Starting with enslaved African musicians, the author takes us to Haiti, Trinidad, the French Caribbean, and to the civil rights era in the United States. Along the way, he highlights such figures as Toussaint Louverture, Jacques Roumain, Jean Price Mars, The Mighty Sparrow, Aime Cesaire, Edouard Glissant, Joseph Zobel, Daniel Maximin, James Brown, and Amiri Baraka. Bringing to light new connections among black cultures, he shows how rhythm has been both a persistent marker of race as well as a dynamic force for change at virtually every major turning point in black New World history. 000436583 588__ $$aDescription based on print version record. 000436583 60010 $$aBrown, James,$$d1933-2006$$xCriticism and interpretation. 000436583 650_0 $$aBlacks$$zCaribbean Area$$vMusic$$xHistory and criticism. 000436583 650_0 $$aAfrican Americans$$xMusic$$xHistory and criticism. 000436583 655_0 $$aElectronic books. 000436583 77608 $$iPrint version:$$aMunro, Martin.$$tDifferent drummers.$$dBerkeley : University of California Press, 2010$$z9780520262829$$z9780520262836$$w(DLC) 2010005646$$w(OCoLC)540643972 000436583 8520_ $$bacq 000436583 85280 $$bebk$$hProquest Ebook Central 000436583 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=566753$$zOnline Access 000436583 909CO $$ooai:library.usi.edu:436583$$pGLOBAL_SET 000436583 980__ $$aEBOOK 000436583 980__ $$aBIB 000436583 982__ $$aEbook 000436583 983__ $$aOnline