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Part 1: Then:
1: Growing up as a musician in Detroit
2: Cass Tech High
3: Boston (1979-1988)
4: Making music, finding meaning (1989-2003)
Part 2: Now:
5: Hope and new directions (2004)
6: Slowly contemplating Boston (2005)
Move east: space, serenity, peace of mind and creativity, and an essay about arriving home
7: Life lived east (2006)
8: New essays (2006-2008)
Days with Ornette Coleman
Connecting jazz to contemporary culture: how are we making jazz culturally relevant?
iPodology: what are we being asked to plug into?
Hop ain't hip without the music (or what happened with the music in popular culture markets?)
Wrestling with a black aesthetic in contemporary living
Aesthetics of sales in the contemporary marketplace post-2007
Closing argument on hip-hop
Without fear of shame: the eighty-year-old debate
American idle?
Using your creative voices: an essay on race and artistic action
Culture of conflict and confrontation
Letter to my students
Out of the woods with Bobby McFerrin
There's something new there, but you have to find it
9: Representing culture (2008)
Homage to mentors
Modern media music culture madness
Audacity in hope
Wow, mom, he looks like me (an Obama poem)
10: Reckonings and recognitions (2009)
Alvin Ailey Dance Company and Sweet Honey in the rock
Letter to Dr Ysaye Barnwell
Michael dies
Beer summit
Great ones passing: Horace Boyer, George Russell, Hale Smith
11: Closing comments on culture: entries and essays (2010)
Roots and reason series, concerts produced by Bill Banfield, interviewed by Leslie Mahoney, Berklee Faculty News
Warmest December
Don't use the J word: jazz connections to culture and meaning
Bicycling in Bangkok: considering condition, context, challenge, conflict, change, charge, cash, comfort, and complacency
Payoff: investing yourself in a multi-toned, voiced, angled, and cultured world (May 29, 2009)
Baking of American music culture
12: Tag and Coda
Part 3: When Again:
13: Artist photo profiles.

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