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000436961 008__ 110316s2012\\\\paua\\\\\b\\\s001\0\eng\\
000436961 010__ $$a  2011011271
000436961 020__ $$a9780271048758$$q(alkaline paper)
000436961 020__ $$a0271048751$$q(alkaline paper)
000436961 035__ $$a(OCoLC)ocn708648530
000436961 035__ $$a436961
000436961 040__ $$aDLC$$beng$$cDLC$$dYDXCP$$dBTCTA$$dBDX$$dERASA$$dYNK$$dBWX$$dOCLCO$$dISE
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000436961 05000 $$aND553.I5$$bB48 2012
000436961 08200 $$a759.4$$222
000436961 1001_ $$aBetzer, Sarah E.,$$d1972-
000436961 24510 $$aIngres and the studio :$$bwomen, painting, history /$$cSarah Betzer.
000436961 260__ $$aUniversity Park, Pa. :$$bPennsylvania State University Press,$$cc2012.
000436961 300__ $$axix, 308 p. :$$bill. (some col.) ;$$c26 cm.
000436961 504__ $$aIncludes bibliographical references and index.
000436961 5050_ $$aIntroduction -- The Ingriste portrait as history -- Ingres's studio and the subjects of art -- Julie Mottez, Rome, and Ingriste myths of origin -- Marie D'Agoult, the aesthetics of androgyny, and the apotheosis of Ingrisme -- Ingres's studio between history and allegory : Rachel, antiquity, and tragedie -- Conclusion.
000436961 520__ $$a"An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students"--$$cProvided by publisher.
000436961 60010 $$aIngres, Jean-Auguste-Dominique,$$d1780-1867$$xCriticism and interpretation.
000436961 60010 $$aIngres, Jean-Auguste-Dominique,$$d1780-1867$$xInfluence.
000436961 650_0 $$aPortrait painting$$zFrance$$xHistory$$y19th century.
000436961 650_0 $$aWomen$$vPortraits.
000436961 7001_ $$aIngres, Jean-Auguste-Dominique,$$d1780-1867.
000436961 85200 $$bgen$$hND553.I5$$iB48$$i2012
000436961 909CO $$ooai:library.usi.edu:436961$$pGLOBAL_SET
000436961 980__ $$aBIB
000436961 980__ $$aBOOK