I. Overviews. Introduction / Matthew H. Bernstein ; The left's biggest star : Michael Moore as commercial auteur / Sergio Rizzo ; Class, gender, race, and masculine masquerade in the documentaries of Michael Moore / Gaylyn Studlar
II. Moore and the documentary tradition. Michael Moore and the aesthetics and politics of contemporary documentary film / Douglas Kellner ; "Everything Is personal" : Michael Moore and the documentary essay / Paul Arthur
III. The major films. Documentary film and the power of interrogation : American dream and Roger & me / Miles Orvell ; Bowling for Columbine : a review / Christopher Sharrett and William Luhr ; Prelude to Moore : a comparison of rhetorical techniques in Frank Capra's Why we fight series and Michael Moore's Fahrenheit 9/11 / Richard R. Ness ; Truth and rhetoric in Michael Moore's Fahrenheit 9/11 / Charles Musser ; Dystopia now : Fahrenheit 9/11's red pill / David Teztlaff ; Sicko movie review / Richard Porton
IV. Beyond the American multiplex : Moore in the media marketplace. Moore muckracking : the reinvention of TV newsmagazines in the age of spin and entertainment / Jeffrey P. Jones ; The British take on Moore / Richard Kilborn ; MoveOn, Michael Moore, and the summer of '04 : marketing online political activism / Cary Elza.