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000436969 020__ $$a9780521170420 (pbk.)
000436969 020__ $$a0521170427 (pbk.)
000436969 020__ $$a9781107000803
000436969 020__ $$a1107000807
000436969 035__ $$a(OCoLC)ocn738338327
000436969 035__ $$a436969
000436969 040__ $$aDLC$$beng$$cDLC$$dYDX$$dBTCTA$$dYDXCP$$dUKMGB$$dDEBBG$$dQCL$$dBWX$$dBDX$$dPUL$$dWCH$$dCOO$$dCDX$$dIG#
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000436969 05000 $$aML74$$b.E83 2012
000436969 08200 $$a786.7$$223
000436969 1001_ $$aEscrivan Rincón, Julio d',$$d1957-
000436969 24510 $$aMusic technology /$$cJulio d'Escriván.
000436969 260__ $$aCambridge ;$$aNew York :$$bCambridge University Press,$$c2012.
000436969 300__ $$axvii, 215 p. :$$bill. ;$$c25 cm.
000436969 440_0 $$aCambridge introductions to music.
000436969 504__ $$aIncludes bibliographical references and index.
000436969 5050_ $$aRepresenting and storing sound -- A studio overview -- Synthesiser, samplers, and drum machines -- Live music technology (the FAQs) -- Select, remix, mashup -- The producer -- Music, sound, and visual media -- The studio as experimental lab -- Controllers : new creative possibilities in performance -- Hacking electronics for music -- Further avenues for exploration.
000436969 650_0 $$aMusic$$xData processing.
000436969 650_0 $$aSound$$xRecording and reproducing$$xDigital techniques.
000436969 85200 $$bgen$$hML74$$i.E83$$i2012
000436969 909CO $$ooai:library.usi.edu:436969$$pGLOBAL_SET
000436969 980__ $$aBIB
000436969 980__ $$aBOOK