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000436978 010__ $$a  2008020522
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000436978 05000 $$aML197$$b.W536 2008
000436978 08200 $$a781.3/3$$222
000436978 1001_ $$aWhittall, Arnold.
000436978 24514 $$aThe Cambridge introduction to serialism /$$cArnold Whittall.
000436978 260__ $$aNew York :$$bCambridge University Press,$$c2008.
000436978 300__ $$axiv, 285 p. :$$bill. ;$$c25 cm.
000436978 4901_ $$aCambridge introductions to music
000436978 504__ $$aIncludes bibliographical references (p. 259-270) and index.
000436978 5050_ $$aIntroducing the Introduction -- Schoenberg's path to the twelve-tone method -- Serialism in close-up -- Schoenberg in the 1920s -- Alban Berg : reverence and resistance -- Anton Webern : discipline and licence -- The later Schoenberg -- American counterpoints, I -- American counterpoints, II -- European repercussions, I -- European repercussions, II -- European repercussions, III -- European repercussions, IV -- European repercussions, V.
000436978 5201_ $$a"From the earliest years of the twentieth century, composers sought ways in which to break from earlier musical traditions. Serialism is one of the most prominent innovations resulting from this. From Schoenberg to Stockhausen, Berg to Boulez, this introduction tells the story of how serialism emerged, and provides a basic outline of serial compositional techniques."--BOOK JACKET.
000436978 650_0 $$aMusic$$y20th century$$xHistory and criticism.
000436978 650_0 $$aSerialism (Music)
000436978 830_0 $$aCambridge introductions to music.
000436978 85200 $$bgen$$hML197$$i.W536$$i2008
000436978 85641 $$3Table of contents only$$uhttp://catdir.loc.gov/catdir/toc/ecip0818/2008020522.html
000436978 909CO $$ooai:library.usi.edu:436978$$pGLOBAL_SET
000436978 980__ $$aBIB
000436978 980__ $$aBOOK