000437164 000__ 02688cam\a2200397Ia\4500 000437164 001__ 437164 000437164 005__ 20210513152615.0 000437164 006__ m\\\\\\\\u\\\\\\\\ 000437164 007__ cr\cn\nnnunnun 000437164 008__ 120514s2012\\\\cau\\\\\sb\\\\001\0\eng\d 000437164 010__ $$z 2011041887 000437164 019__ $$a785073218$$a785782255 000437164 020__ $$a9780520952065 (electronic bk.) 000437164 020__ $$z0520247345 000437164 020__ $$z9780520247345 000437164 035__ $$a(OCoLC)ocn775871185 000437164 035__ $$a(CaPaEBR)ebr10533545 000437164 040__ $$aCaPaEBR$$cCaPaEBR 000437164 05014 $$aML194$$b.M35 2012eb 000437164 08204 $$a780.9/032$$223 000437164 1001_ $$aMcClary, Susan. 000437164 24510 $$aDesire and pleasure in seventeenth-century music$$h[electronic resource] /$$cSusan McClary. 000437164 260__ $$aBerkeley :$$bUniversity of California Press,$$cc2012. 000437164 300__ $$a1 online resource (xi, 340 p.) :$$bill., music 000437164 504__ $$aIncludes bibliographical references and index. 000437164 5050_ $$aPrelude: The Music of Pleasure and Desire -- Part I. The Hydraulics of Musical Desire -- 1. The Expansion Principle -- 2. Composites, or the Still-Divided Subject -- Part II. Gendering Voice -- 3. Soprano as Fetish -- Professional Singers in Early Modern Italy -- 4. Gender Ambiguities and Erotic Excess in the Operas of Cavalli -- Part III. Divine Love -- 5. Libidinous Theology -- 6. Straining Belief: The Toccata; Part IV. Dancing Bodies -- 7. The Social History of a Groove: Chacona, Ciaccona, Chaconne, and the Chaconne. 000437164 506__ $$aAccess limited to authorized users. 000437164 520__ $$aIn this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states-desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the ... . 000437164 588__ $$aDesciption based on print version record. 000437164 650_0 $$aMusic$$y17th century$$xHistory and criticism. 000437164 650_0 $$aMusical criticism. 000437164 655_7 $$aElectronic books.$$2lcsh 000437164 77608 $$iPrint version:$$aMcClary, Susan.$$tDesire and pleasure in seventeenth-century music.$$dBerkeley : University of California Press, 2012$$z9780520247345$$w(DLC) 2011041887$$w(OCoLC)756166982 000437164 8520_ $$bacq 000437164 85280 $$bebk$$hProquest Ebook Central 000437164 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=850697$$zOnline Access 000437164 909CO $$ooai:library.usi.edu:437164$$pGLOBAL_SET 000437164 980__ $$aEBOOK 000437164 980__ $$aBIB 000437164 982__ $$aEbook 000437164 983__ $$aOnline