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Prelude: The Music of Pleasure and Desire
Part I. The Hydraulics of Musical Desire
1. The Expansion Principle
2. Composites, or the Still-Divided Subject
Part II. Gendering Voice
3. Soprano as Fetish
Professional Singers in Early Modern Italy
4. Gender Ambiguities and Erotic Excess in the Operas of Cavalli
Part III. Divine Love
5. Libidinous Theology
6. Straining Belief: The Toccata; Part IV. Dancing Bodies
7. The Social History of a Groove: Chacona, Ciaccona, Chaconne, and the Chaconne.

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