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000437258 001__ 437258
000437258 005__ 20210513152623.0
000437258 008__ 100415s2011\\\\nyua\\\\\b\\\\001\0\eng\\
000437258 010__ $$a  2010014245
000437258 020__ $$a9781433105951 (pbk. : alk. paper)
000437258 020__ $$a1433105950 (pbk. : alk. paper)
000437258 035__ $$a(OCoLC)ocn607655953
000437258 035__ $$a437258
000437258 040__ $$aDLC$$cDLC$$dYDX$$dYDXCP$$dCDX$$dIUL$$dOHX
000437258 043__ $$ad------
000437258 049__ $$aISEA
000437258 05000 $$aPN1995.9.I55$$bH54 2011
000437258 08200 $$a302.23/43$$222
000437258 1001_ $$aHeffelfinger, Elizabeth.
000437258 24510 $$aVisual difference :$$bpostcolonial studies and intercultural cinema /$$cElizabeth Heffelfinger, Laura Wright.
000437258 260__ $$aNew York :$$bPeter Lang,$$cc2011.
000437258 300__ $$aviii, 208 p. :$$bill. ;$$c23 cm.
000437258 440_0 $$aFraming film ;$$vv. 8.
000437258 504__ $$aIncludes bibliographical references and index.
000437258 5050_ $$aIntroduction : situating intercultural film -- "This is Africa," or how Leonardo DiCaprio imagines Sierra Leone -- Witness the gangster in the interregnum : adapting Fugard's Tsotsi -- Reclaiming the Maoriland romance : inventing tradition in Once were warriors and Whale rider -- The new voy(age)eur : white women, black bodies, and the spectacle of sexual abandon -- NRI : the transnational class and transnational class in the films of Mira Nair -- Conclusion.
000437258 650_0 $$aIntercultural communication in motion pictures.
000437258 650_0 $$aMulticulturalism in motion pictures.
000437258 650_0 $$aImperialism in motion pictures.
000437258 650_0 $$aCulture in motion pictures.
000437258 650_0 $$aMinorities in motion pictures.
000437258 650_0 $$aMotion pictures$$zDeveloping countries.
000437258 7001_ $$aWright, Laura.
000437258 85200 $$bgen$$hPN1995.9.I55$$iH54$$i2011
000437258 909CO $$ooai:library.usi.edu:437258$$pGLOBAL_SET
000437258 980__ $$aBIB
000437258 980__ $$aBOOK