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000437417 010__ $$z  2010026528
000437417 020__ $$a9780803234451 (electronic bk.)
000437417 020__ $$z9780803211261
000437417 020__ $$z0803211260
000437417 035__ $$a(OCoLC)ocn704517538
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000437417 05014 $$aPN1995.9.I48$$bR34 2010eb
000437417 08204 $$a302.23089$$222
000437417 1001_ $$aRaheja, Michelle H.
000437417 24510 $$aReservation reelism$$h[electronic resource] :$$bredfacing, visual sovereignty, and representations of Native Americans in film /$$cMichelle H. Raheja.
000437417 260__ $$aLincoln :$$bUniversity of Nebraska Press,$$cc2010.
000437417 300__ $$a1 online resource (xviii, 338 p.) :$$bill.
000437417 504__ $$aIncludes bibliographical references (p. [291]-317) and index.
000437417 5050_ $$aToward a genealogy of indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner).
000437417 506__ $$aAccess limited to authorized users.
000437417 520__ $$aIn This Deeply Engaging Account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate. -- Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually that films portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators, reveals their contributions, and attempts to create positive representations in films that reflect the complex and vibrant experiences of Native peoples and communities. --Book Jacket.
000437417 588__ $$aDescription based on print version record.
000437417 650_0 $$aIndians in motion pictures.
000437417 650_0 $$aIndigenous peoples in motion pictures.
000437417 650_0 $$aIndians in the motion picture industry$$zUnited States.
000437417 650_0 $$aStereotypes (Social psychology) in motion pictures.
000437417 650_0 $$aMotion pictures$$zUnited States$$xHistory$$y20th century.
000437417 655_0 $$aElectronic books.
000437417 77608 $$iPrint version:$$aRaheja, Michelle H.$$tReservation reelism.$$dLincoln : University of Nebraska Press, 2010$$z9780803211261$$w(DLC) 2010026528$$w(OCoLC)555650123
000437417 8520_ $$bacq
000437417 85280 $$bebk$$hProquest Ebook Central
000437417 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=635530$$zOnline Access
000437417 909CO $$ooai:library.usi.edu:437417$$pGLOBAL_SET
000437417 980__ $$aEBOOK
000437417 980__ $$aBIB
000437417 982__ $$aEbook
000437417 983__ $$aOnline