Reservation reelism [electronic resource] : redfacing, visual sovereignty, and representations of Native Americans in film / Michelle H. Raheja.
2010
PN1995.9.I48 R34 2010eb
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Title
Reservation reelism [electronic resource] : redfacing, visual sovereignty, and representations of Native Americans in film / Michelle H. Raheja.
Author
Raheja, Michelle H.
ISBN
9780803234451 (electronic bk.)
9780803211261
0803211260
9780803211261
0803211260
Publication Details
Lincoln : University of Nebraska Press, c2010.
Language
English
Description
1 online resource (xviii, 338 p.) : ill.
Call Number
PN1995.9.I48 R34 2010eb
Dewey Decimal Classification
302.23089
Summary
In This Deeply Engaging Account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Indigenous plots and subplots also signify at least some degree of Native presence in a culture that largely defines Native peoples as absent or separate. -- Native actors, directors, and spectators have had a part in creating these cinematic representations and have thus complicated the dominant, and usually that films portray. In Reservation Reelism Raheja examines the history of these Native actors, directors, and spectators, reveals their contributions, and attempts to create positive representations in films that reflect the complex and vibrant experiences of Native peoples and communities. --Book Jacket.
Bibliography, etc. Note
Includes bibliographical references (p. [291]-317) and index.
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Access limited to authorized users.
Source of Description
Description based on print version record.
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Reservation reelism.
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Table of Contents
Toward a genealogy of indigenous film theory : reading Hollywood Indians
Ideologies of (in)visibility : redfacing, gender, and moving images
Tears and trash : economies of redfacing and the ghostly Indian
Prophesizing on the virtual reservation : Imprint and It starts with a whisper
Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner).
Ideologies of (in)visibility : redfacing, gender, and moving images
Tears and trash : economies of redfacing and the ghostly Indian
Prophesizing on the virtual reservation : Imprint and It starts with a whisper
Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner).