000437434 000__ 02479cam\a2200421Ia\4500 000437434 001__ 437434 000437434 005__ 20210513152645.0 000437434 006__ m\\\\\o\\d\\\\\\\\ 000437434 007__ cr\cn\nnnunnun 000437434 008__ 120518s2011\\\\cau\\\\\ob\\\\001\0\eng\d 000437434 010__ $$z 2010043218 000437434 020__ $$a9781598843538$$q(electronic book) 000437434 020__ $$z1598843524 000437434 020__ $$z1598843532 000437434 020__ $$z9781598843521 000437434 035__ $$a(OCoLC)ocn714892153 000437434 035__ $$a(CaPaEBR)ebr10459037 000437434 035__ $$a(MiAaPQ)EBC678316 000437434 035__ $$a437434 000437434 040__ $$aCaPaEBR$$cCaPaEBR 000437434 05014 $$aPN1998.3.A526$$bB76 2011eb 000437434 1001_ $$aBrowning, Mark,$$d1966- 000437434 24510 $$aWes Anderson$$h[electronic resource] :$$bwhy his movies matter /$$cMark Browning. 000437434 260__ $$aSanta Barbara, Calif. :$$bPraeger,$$c2011. 000437434 300__ $$a1 online resource (xiii, 190 p.) 000437434 4901_ $$aModern filmmakers 000437434 504__ $$aIncludes bibliographical references and index. 000437434 5050_ $$aTake the money and run: Bottle rocket (1996) -- School daze: Rushmore (1998) -- Salinger reloaded: The royal Tenenbaums (2001) -- Cinema paradiso: The life aquatic with Steve Zissou (2004) -- Brief encounter or strangers on a train?: The Darjeeling Limited (2007) -- Where the wild things are: Fantastic Mr. Fox (2009) -- The last picture show: cinematic influences -- homage or divergence? -- The discreet charm of the bourgeoisie: Anderson's portrayal of race and class -- Man with a movie camera: Anderson's use of the frame -- The unbearable lightness of being Wes Anderson. 000437434 506__ $$aAccess limited to authorized users. 000437434 5208_ $$aOrganized chronologically to encompass various of Wes Anderson's films, from 1996's "Bottle Rocket to Rushmore", "The Royal Tenenbaums", and the 2009 release, "The Fantastic Mr Fox". This study includes analysis of Anderson's work in commercials, his representation of race and class, his main stylistic influences, and his innovations. 000437434 588__ $$aDescription based on print version record. 000437434 60010 $$aAnderson, Wes,$$d1969-$$xCriticism and interpretation. 000437434 650_0 $$aMotion picture authorship. 000437434 77608 $$iPrint version:$$aBrowning, Mark, 1966-$$tWes Anderson.$$dSanta Barbara, Calif. : Praeger, 2011$$z9781598843521$$w(DLC) 2010043218$$w(OCoLC)669750079 000437434 830_0 $$aModern filmmakers. 000437434 8520_ $$bacq 000437434 85280 $$bebk$$hProQuest Ebook Central 000437434 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=678316$$zOnline Access 000437434 909CO $$ooai:library.usi.edu:437434$$pGLOBAL_SET 000437434 980__ $$aEBOOK 000437434 980__ $$aBIB 000437434 982__ $$aEbook 000437434 983__ $$aOnline