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Machine generated contents note: One.Reciprocated Rituals and Noisy Encounters: Music Libels and Their Antidotes
Two.Rethinking and Enacting Sympathetic Worlds: The Eighteenth-Century Oratorical Legacies of Bach, Lessing, and Handel
Three.Noise in the House of Prayer: Ethnography Transfigured
Four."Jews (and Jewesses) Like You and Me": Vocal Imaginaries of Mendelssohn, Meyerbeer, Heine, and Halevy
Five.The Judengasse Synagogue versus the Temple of the Grail: Motives of Sympathy and Redemptive Modes in Daniel Deronda and Parsifal
Six.The Aesthetic Theology of Multivocality: Arnold Schoenberg among Alter Egos
Seven.The End: Essentializing Jewish Noise in Nazi Movies.
Two.Rethinking and Enacting Sympathetic Worlds: The Eighteenth-Century Oratorical Legacies of Bach, Lessing, and Handel
Three.Noise in the House of Prayer: Ethnography Transfigured
Four."Jews (and Jewesses) Like You and Me": Vocal Imaginaries of Mendelssohn, Meyerbeer, Heine, and Halevy
Five.The Judengasse Synagogue versus the Temple of the Grail: Motives of Sympathy and Redemptive Modes in Daniel Deronda and Parsifal
Six.The Aesthetic Theology of Multivocality: Arnold Schoenberg among Alter Egos
Seven.The End: Essentializing Jewish Noise in Nazi Movies.