The Italian traditions & Puccini [electronic resource] : compositional theory and practice in nineteenth-century opera / Nicholas Baragwanath.
Baragwanath, Nicholas.
2011
ML1733.4 .B37 2011eb
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Title The Italian traditions & Puccini [electronic resource] : compositional theory and practice in nineteenth-century opera / Nicholas Baragwanath.
Author Baragwanath, Nicholas.
ISBN 9780253001665 (electronic bk.)
9780253356260
Publication Details Bloomington : Indiana University Press, c2011.
Language English
Description 1 online resource (xx, 407 p.) : music, port.
Call Number ML1733.4 .B37 2011eb
Dewey Decimal Classification 782.10945/09034
Summary In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and Puccini. Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. This book offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini.--[book jacket]
Bibliography, etc. Note Includes bibliographical references and indexes.
Access Note Access limited to authorized users.
Source of Description Description based on print version record.
Series Musical meaning and interpretation
Available in Other Form Italian traditions & Puccini.
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Record Appears in Online Resources > Ebooks
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Musical traditions in nineteenth-century Italy. The Italian schools
An introduction to the primary sources
Puccini and the end of the great tradition
Studies in Lucca and Milan. Composition as craft
The Istituto musicale in Lucca
Scarpia and the Partimento Cadence
The Conservatorio di Milano
Lessons in dramatic composition I: Rhythm. Rhythm without measure, accent without beat
Rules of versification, Lippmann's rhythmic-musical types, and two case studies
Historical survey of writings on Ritmo
Short case studies from Bellini and Puccini
Lessons in dramatic composition II: Harmony and counterpoint. The Partimento 'Tradition'
Michele Puccini's Corso pratico di contrappunto (1846)
The Bolognese attachment, or "Little keys for winding clocks"
Regular motions and melodic composition
Lessons in dramatic composition III: Affect, imitation, and conduct. Dominant affects and their movements
Physical and sentimental imitation
Form and conduct
Case studies from Verdi, Boito, and Puccini
Vocalizzi, Solfeggi, and real (or ideal) compositions. Lessons in singing and counterpoint
Lessons in singing and Solfeggio
From Solfeggio to ideal composition in Puccini (and Bellini).

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