000437991 000__ 06825cam\a2200469\a\4500 000437991 001__ 437991 000437991 005__ 20210513152803.0 000437991 006__ m\\\\\\\\d\\\\\\\\ 000437991 007__ cr\cn\nnnunnun 000437991 008__ 120524t20112011onccf\\\obq\\\000\0\eng\\ 000437991 016__ $$z20119002515 (print) 000437991 020__ $$a9781442661738 (electronic bk.) 000437991 020__ $$z9780802096654 (pbk.) 000437991 020__ $$z9780802099693 000437991 035__ $$a(OCoLC)ocn751053883 000437991 035__ $$a(CaPaEBR)ebr10488979 000437991 035__ $$a437991 000437991 040__ $$aYDXCP$$cYDXCP$$dCELBN$$dE7B$$dISE 000437991 043__ $$an-us---$$ae-it--- 000437991 050_4 $$aPN1995.9.M23$$bM34 2011eb 000437991 0820_ $$a791.43/6556$$222 000437991 24500 $$aMafia movies$$h[electronic resource] :$$ba reader /$$cedited by Dana Renga. 000437991 260__ $$aToronto [Ont.] ;$$aBuffalo [N.Y.] :$$bUniversity of Toronto Press,$$cc2011. 000437991 300__ $$a1 online resource (xiv, 400 p., [16] p. of plates) :$$bill. 000437991 4901_ $$aToronto Italian studies 000437991 504__ $$aIncludes filmography (p. [387]-390). 000437991 504__ $$aIncludes bibliographical references (p. [391]-398). 000437991 5050_ $$aSetting the scene. Introduction : The Corleones at home and abroad / Dana Renga ; Gender and Violence : four themes in the everyday world of mafia wives / Peter Schneider and Jane Schneider -- American mafia movies : the Corleones at home and abroad. Wallace McCutchen's The Black Hand : a different version of a biograph kidnapping / Vincenzo Maggitti ; "Most thrilling subjects" : D.W. Griffith and the biograph revenge films / JoAnne Ruvoli ; Ethnicity and the classical gangster film : Mervyn LeRoy's Little Caesar and Howard Hawks' Scarface / Norma Bouchard ; Playing good Italian/ bad Italian in ABC's The untouchables / Jonathan Cavallero ; Prelude to The Godfather : Martin Ritt's The brotherhood / Robert Casillo ; Micheal Corleone's tie : Francis Ford Coppola's The Godfather / Anthony Tamburri ; Nihilism and MafiositaĆ¾ in Martin Scorsese's Mean streets / Pellegrino D'Acierno ; Thematic patterns in Francis Ford Coppola's The Godfather : part II / John Paul Russo ; The sexual politics of loyalty in John Huston's Prizzi's honor / Rebecca Bauman ; Between postmodern parody and generic hybridization : the gangsters of Brian De Palma's The untouchables / Norma Bouchard ; The bandit, the gangster, and the American Army shorts : Michael Cimino's The Sicilian / Chiara Mazzucchelli ; Martin Scorsese's GoodFellas : hybrid storytelling between realism and formalism / Fulvio Orsitto ; Redemption in Francis Ford Coppola's The Godfather : part III / John Paul Russo ; "Nothing romantic about It" : gender and the legacy of crime in Abel Ferrara's The funeral / Lara Santoro ; Inside the mafia : Mike Newell's Donnie Brasco / Robert Casillo ; Martin Scorsese's The departed, or the quest for a departed ethnic identity / Margherita Heyer-Caput ; When words can kill : David Chase's The sopranos / Franco Ricci ; Don't stop believin', don't stop- (de)structuring expectations in the final season of The sopranos / Giancarlo Lombardi -- 000437991 5058_ $$aItalian Mafia movies : myth and resistance. Which law is the father's : gender and generic oscillation in Pietro Germi's In the name of the law / Danielle Hipkins ; The visible, unexposed : Francesco Rosi's Salvatore Giuliano / Laura Wittman ; Modernity, mafia style : Alberto Lattuada's Il mafioso / Nelson Moe ; Francesco Rosi's Hands over the city : a contemporary perspective on the Camorra / Anna Paparcone ; Prototypes of the mafia : Luchino Visconti's The leopard / Elizabeth Leake ; The failure of the intellectual : Elio Petri's filming of Leonardo Sciascia's To each his own / Daniela Bini ; Damiano Damiani's The day of the owl : a Western flirtation / Piero Garofalo ; Smaller and larger families : Lina Wertmuller's The seduction of Mimi / Thomas Harrison ; Deconstructing the enigma : logical investigations in Francesco Rosi's Lucky Luciano / Gaetana Marrone ; Power as such : the idea of the mafia in Franceso Rosi's Illustrious corpses / Alan O'Leary ; Marco Risi's Forever Mary : desperate lives converge in Sicilia "non bedda" / George De Stefano ; Threads of political violence in Italy's spiderweb : Giorgio Ambrosoli's murder in Michele Placido's A Bourgeois Hero / Carlo Testa ; Sacrifice, sacrament, and the body in Ricky Tognazzi's La scorta / Myriam Ruthenburg ; Pasquale Scimeca's Placido Rizzotto : a different view of Corleone / Amy Boylan ; Marco Tullio Giordana's The hundred steps : the biopic as political cinema / George De Stefano ; Roberta Torre's Angela : the mafia and the "woman's film" / Catherine O'Rawe ; Organized crime and unfulfilled promises in Gabriele Salvatores' I'm not scared / Michael O'Riley ; Growing up Camorrista : Antonio and Andrea Frazzi's Certi bambini / Allison Cooper ; Lipstick and chocolate : Paolo Sorrentino's The consequences of love / Mary Wood ; The in(di)visibility of the mafia, politics, and ethics in Bianchi and Nerazzini's The mafia is white / Robin Pickering-Iazzi ; Marco Turco's Excellent cadavers : an Italian tragedy / Maddalena Spazzini ; Dispatches from Hell : Matteo Garrone's Gomorrah / Pierpaolo Antonello. 000437991 506__ $$aAccess limited to authorized users. 000437991 520__ $$a"Rico 'Little Caesar' Bandello, Al Capone, Michael Corleone, and Tony Soprano are among the many real and fictional characters that have fascinated film and television audiences since the beginning of motion pictures. This collection of essays looks at mafia movies over time and across cultures, from the early classics to the Godfather trilogy and contemporary Italian films, and in works by both established and emerging filmmakers. With provocative analyses of over forty films, Mafia Movies explores the rich variety of works within the genre. The essays examine the prevailing myths and major themes in the depictions of the mafia on screen, and identify distinctive elements and connections to other genres such as film noir, thrillers, and even westerns. In its consideration of both the Italian and American cinematic traditions, the volume reveals common influences and essential differences in their portrayals of the mafia."--P. [i]. 000437991 588__ $$aDescription based on print version record. 000437991 650_0 $$aGangster films$$zUnited States$$xHistory and criticism. 000437991 650_0 $$aGangster films$$zItaly$$xHistory and criticism. 000437991 650_0 $$aMafia in motion pictures. 000437991 655_0 $$aElectronic books. 000437991 7001_ $$aRenga, Dana,$$d1971- 000437991 77608 $$iPrint version:$$tMafia movies.$$dToronto ; Buffalo [N.Y.] : University of Toronto Press, c2011$$z9780802099693$$z9780802096654$$w(DLC) 2011456631$$w(OCoLC)693814354 000437991 830_0 $$aToronto Italian studies. 000437991 8520_ $$bacq 000437991 85280 $$bebk$$hProquest Ebook Central 000437991 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=3276142$$zOnline Access 000437991 909CO $$ooai:library.usi.edu:437991$$pGLOBAL_SET 000437991 980__ $$aEBOOK 000437991 980__ $$aBIB 000437991 982__ $$aEbook 000437991 983__ $$aOnline