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000438051 010__ $$z  2010006147
000438051 020__ $$a9780226253053$$q(electronic book)
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000438051 05014 $$aE185.625$$b.F544 2011eb
000438051 1001_ $$aFleetwood, Nicole R.
000438051 24510 $$aTroubling vision$$h[electronic resource] :$$bperformance, visuality, and blackness /$$cNicole R. Fleetwood.
000438051 260__ $$aChicago :$$bUniversity of Chicago Press,$$c2011.
000438051 300__ $$a1 online resource (xx, 276 p.) :$$bill.
000438051 504__ $$aIncludes bibliographical references and index.
000438051 5050_ $$a"One shot" : Harris and the photographic practice of black non-iconicity -- Her own spook : colorism, vision, and the dark female body -- Excess flesh : black women performing hypervisibility -- "I am king" : Hip hop culture, fashion advertising, and the black male body -- Visible seams : the media art of Fatimah Tuggar -- Coda : The icon is dead : mourning Michael Jackson.
000438051 506__ $$aAccess limited to authorized users.
000438051 520__ $$aTroubling Vision addresses American cultures fixation on black visibility, exploring how blackness is persistently seen as a problem in public culture and even in black scholarship that challenges racist discourse. Through trenchant analysis, Nicole R. Fleetwood reorients the problem of black visibility by turning attention to what it means to see blackness and to the performative codes that reinforce, resignify, and disrupt its meaning. Working across visual theory and performance studies, Fleetwood asks, How is the black body visualized as both familiar and disruptive? How might we investigate the black body as a troubling presence to the scopic regimes that define it as such? How is value assessed based on visible blackness?  Fleetwood documents multiple forms of engagement with the visual, even as she meticulously underscores how the terms of engagement change in various performative contexts. Examining a range of practices from the documentary photography of Charles Teenie Harris to the excess flesh; performances of black female artists and pop stars to the media art of Fatimah Tuggar to the iconicity of Michael Jackson, Fleetwood reveals and reconfigures the mechanics, codes, and metaphors of blackness in visual culture.
000438051 588__ $$aDescription based on print version record.
000438051 650_0 $$aAfrican Americans in popular culture.
000438051 650_0 $$aAfrican Americans$$xRace identity.
000438051 650_0 $$aBlacks$$xRace identity.
000438051 650_0 $$aHip-hop.
000438051 650_0 $$aMasculinity in popular culture.
000438051 650_0 $$aFemininity in popular culture.
000438051 77608 $$iPrint version:$$aFleetwood, Nicole R.$$tTroubling vision.$$dChicago : University of Chicago Press, 2011$$z9780226253022$$z9780226253039$$w(DLC) 2010006147$$w(OCoLC)537308775
000438051 8520_ $$bacq
000438051 85280 $$bebk$$hProQuest Ebook Central
000438051 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=713793$$zOnline Access
000438051 909CO $$ooai:library.usi.edu:438051$$pGLOBAL_SET
000438051 980__ $$aEBOOK
000438051 980__ $$aBIB
000438051 982__ $$aEbook
000438051 983__ $$aOnline