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Introduction, by D. Madden.
The two memories: reflections on writers and writing in the thirties, by L. Fiedler.
Back to Bigger, by G. Green.
John Dos Passos' U.S.A.: a 1930's spectacular, by L. Gurko.
Edward Dahlberg, early and late, by J. Chametzky.
Robert Cantwell's Land of plenty, by J. Conroy.
Jack Conroy's the Disinherited; or, The Way it was, by E. Larsen.
Daniel Fuchs' Williamsburg trilogy: a cigarette and window, by I. Howe.
Dalton Trumbo's Johnny got his gun, by L. Kriegel.
B. Traven, pure proletarian writer, by C. H. Miller.
The Roots of radical: experience in the thirties, by M. Klein.
Character and self in fiction on the left, by C. E. Eisinger.
Aesthetics of the proletarian novel, by F. J. Hoffman.
The Marxist aesthetic theory of Louis C. Fraina, by L. Baxandall.
The Education of Michael Gold, By M. B. Folsom.
The Brief embattled course of proletarian poetry, by A. Guttmann.
Notes (p. [270]-274)
The two memories: reflections on writers and writing in the thirties, by L. Fiedler.
Back to Bigger, by G. Green.
John Dos Passos' U.S.A.: a 1930's spectacular, by L. Gurko.
Edward Dahlberg, early and late, by J. Chametzky.
Robert Cantwell's Land of plenty, by J. Conroy.
Jack Conroy's the Disinherited; or, The Way it was, by E. Larsen.
Daniel Fuchs' Williamsburg trilogy: a cigarette and window, by I. Howe.
Dalton Trumbo's Johnny got his gun, by L. Kriegel.
B. Traven, pure proletarian writer, by C. H. Miller.
The Roots of radical: experience in the thirties, by M. Klein.
Character and self in fiction on the left, by C. E. Eisinger.
Aesthetics of the proletarian novel, by F. J. Hoffman.
The Marxist aesthetic theory of Louis C. Fraina, by L. Baxandall.
The Education of Michael Gold, By M. B. Folsom.
The Brief embattled course of proletarian poetry, by A. Guttmann.
Notes (p. [270]-274)