000438500 000__ 02899cam\a2200409\a\4500 000438500 001__ 438500 000438500 005__ 20210809093053.0 000438500 006__ m\\\\\\\\u\\\\\\\\ 000438500 007__ cr\cn\nnnunnun 000438500 008__ 120531s2011\\\\nyua\\\\ob\\\\001\0\eng\d 000438500 010__ $$z2011012522 000438500 020__ $$a9780814745298 (electronic bk.) 000438500 020__ $$z9780814776513 000438500 020__ $$z9780814776520 (pbk.) 000438500 020__ $$z9780814777411 (electronic bk.) 000438500 035__ $$a(OCoLC)ocn751978637 000438500 035__ $$a(CaPaEBR)ebr10496694 000438500 040__ $$aCaPaEBR$$cCaPaEBR 000438500 05014 $$aHV6030$$b.R34 2011eb 000438500 08204 $$a364$$222 000438500 1001_ $$aRafter, Nicole Hahn,$$d1939- 000438500 24510 $$aCriminology goes to the movies$$h[electronic resource] :$$bcrime theory and popular culture /$$cNicole Rafter and Michelle Brown. 000438500 260__ $$aNew York :$$bNew York University,$$cc2011. 000438500 300__ $$a1 online resource (xi, 227 p.) :$$bill. 000438500 504__ $$aIncludes bibliographical references and index. 000438500 5050_ $$aIntroduction: taking criminology to the movies -- "For money and a woman" : rational choice theories and double indemnity -- "He's alive!" : biological theories and Frankenstein -- "Blood, mother, blood!" : psychological theories and psycho -- "You talking to me?" : social disorganization theories and taxi driver -- "You're giving me a nervous breakdown" : strain theories and traffic -- Getting the drift : social learning theories and Mystic River -- "Pornography in foot-high stacks" : labeling theory and capturing the Friedmans -- Fight the power : conflict theories and do the right thing -- "Let her go" : feminist criminology and thelma and louise -- A matter of time : lifecourse theories and city of God -- Conclusion: the big picture. 000438500 506__ $$aAccess limited to authorized users. 000438500 520__ $$aFrom a look at classics like Psycho and Double Indemnity to recent films like Traffic and Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy, through scholarly research, but also in popular culture, through film. Criminology Goes to the Movies connects with ways in which students are already thinking criminologically through engagements with popular culture, encouraging them to use the everyday world as a vehicle for theorizing and understanding both crime and perceptions of criminality. 000438500 588__ $$aDescription based on print version record. 000438500 650_0 $$aCrime in popular culture. 000438500 650_0 $$aCriminology. 000438500 655_7 $$aElectronic books.$$2lcsh 000438500 7001_ $$aBrown, Michelle,$$d1971- 000438500 77608 $$iPrint version:$$aRafter, Nicole Hahn, 1939-$$tCriminology goes to the movies.$$b1st ed.$$dNew York : New York University, 2011$$z9780814776513$$z9780814776520 000438500 8520_ $$bacq 000438500 85280 $$bebk$$hProquest Ebook Central 000438500 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=865621$$zOnline Access 000438500 909CO $$ooai:library.usi.edu:438500$$pGLOBAL_SET 000438500 980__ $$aEBOOK 000438500 980__ $$aBIB 000438500 982__ $$aEbook 000438500 983__ $$aOnline