000438740 000__ 05372cam\a2200421Ia\4500 000438740 001__ 438740 000438740 005__ 20210809093348.0 000438740 006__ m\\\\\o\\d\\\\\\\\ 000438740 007__ cr\cn\nnnunnun 000438740 008__ 120601s2011\\\\nyuac\\\ob\\\\001\0\eng\d 000438740 010__ $$z2011007759 000438740 020__ $$a9780814733424$$q(electronic book) 000438740 020__ $$z9780814732984 000438740 020__ $$z9780814732991 000438740 035__ $$a(OCoLC)ocn744350462 000438740 035__ $$a(MiAaPQ)EBC865504 000438740 035__ $$a(CaPaEBR)ebr10484111 000438740 040__ $$aCaPaEBR$$cCaPaEBR 000438740 05014 $$aF1419.N4$$bG38 2011eb 000438740 08204 $$a980/.00496$$222 000438740 1001_ $$aGates, Henry Louis,$$cJr. 000438740 24510 $$aBlack in Latin America$$h[electronic resource] /$$cHenry Louis Gates, Jr. 000438740 260__ $$aNew York :$$bNew York University Press,$$cc2011. 000438740 300__ $$a1 online resource (xi, 259 p.) :$$bill. 000438740 504__ $$aIncludes bibliographical references and index. 000438740 5050_ $$aBrazil: "May Exú give me the power of speech" -- Mexico: "The black grandma in the closet" -- Peru: the blood of the Incas, the blood of the Mandingas -- The Dominican Republic: "Black behind the ears" -- Haiti: "From my ashes I rise; God is my cause and my sword" (motto on King Henri Christophe's Haitian flag, 1811-1820) -- Cuba: the next Cuban revolution -- Color categories in Latin America. 000438740 506__ $$aAccess limited to authorized users. 000438740 520__ $$a12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest, over ten and a half million, were taken to the Caribbean and Latin America. This astonishing fact changes the entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences. Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So the author set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their origin acknowledge or deny their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, he unveils the history of the African presence in six Latin American countries: Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru, through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view. In Brazil, he delves behind the facade of Carnaval to discover how this "rainbow nation" is waking up to its legacy as the world's largest slave economy. In Cuba, he finds out how the culture, religion, politics and music of this island is inextricably linked to the huge amount of slave labor imported to produce its enormously profitable 19th century sugar industry, and how race and racism have fared since Fidel Castro's Communist revolution in 1959. In Haiti, he tells the story of the birth of the first ever black republic, and finds out how the slaves' hard fought liberation over Napoleon Bonaparte's French Empire became a double-edged sword. In Mexico and Peru, he explores the almost unknown history of the significant numbers of black people, far greater than the number brought to the United States, brought to these countries as early as the sixteenth and seventeenth centuries, and the worlds of culture that their descendants have created in Vera Cruz on the Gulf of Mexico, the Costa Chica region on the Pacific, and in and around Lima, Peru. During this journey we are introduced to the faces and voices of the descendants of the Africans who created these worlds. He shows both the similarities and distinctions between these cultures, and how the New World manifestations are rooted in, but distinct from, their African antecedents. This volume is the third instalment of the author's documentary trilogy on the Black Experience in Africa, the United States, and in Latin America. In America Behind the Color Line, he examined the fortunes of the black population of modern day America. In Wonders of the African World, he embarked upon a series of journeys to reveal the history of African culture. Now, he brings that quest full-circle in an effort to discover how Africa and Europe combined to create the vibrant cultures of Latin America. 000438740 588__ $$aDescription based on print version record. 000438740 650_0 $$aBlacks$$zLatin America$$xHistory. 000438740 650_0 $$aBlacks$$xRace identity$$zLatin America. 000438740 650_0 $$aSlavery$$zLatin America$$xHistory. 000438740 651_0 $$aLatin America$$xCivilization$$xAfrican influences. 000438740 651_0 $$aLatin America$$xRace relations. 000438740 77608 $$iPrint version:$$aGates, Henry Louis.$$tBlack in Latin America.$$dNew York : New York University Press, c2011$$z9780814732984$$w(DLC) 2011007759$$w(OCoLC)692291843 000438740 8520_ $$bacq 000438740 85280 $$bebk$$hProQuest Ebook Central 000438740 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=865504$$zOnline Access 000438740 909CO $$ooai:library.usi.edu:438740$$pGLOBAL_SET 000438740 980__ $$aEBOOK 000438740 980__ $$aBIB 000438740 982__ $$aEbook 000438740 983__ $$aOnline