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Introduction: Avenida Oceânica : Candomblé, mystery and the-rest-of-what-is in process of world-making
On Immersion : Academics and the seductions of a baroque society
Mysteries are invisible : Understanding images in the Bahia of Dr Raimundo Nina Rodrigues
Re-encoding the primitive : Surrealist appreciations of Candomlé in a violence-ridden world
Abstracting Candomblé : Defining the 'public' and the 'particular' dimensions of a spirit possession cult
Allegorical worlds : Baroque aesthetics and the notion of an 'absent truth'
Bafflement Politics : Possessions, apparitions and the really real of Candomblé's miracle productions
The permeable boundary : Media imaginaries in Candomblé's public performance of authenticity
Conclusions: Cracks in the wall : Invocations of the rest-of-what-is the anthropological study of world-making.

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