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Introduction: The artistry of Beowulf, by D. K. Fry.
Beowulf: the monsters and the critics, by J. R. R. Tolkien.
The style and structure of Beowulf, by J. Blomfield.
Beowulf, by R. Wilbur.
Beowulf and Christian allegory: an interpretation of Unferth, by M. W. Bloomfield.
The dramatic audience in Beowulf, by R. M. Lumiansky.
Oral-formulaic character of Anglo-Saxon narrative poetry, by F. P. Magoun, Jr.
Beowulf and archaeology, by R. Cramp.
The making of an Anglo-Saxon poem, by R. P. Creed.
Point of view and design for terror in Beowulf, by A. Renoir.
Classics revisited. 4: Beowulf, by K. Rexroth.
Beowulf: the monsters and the critics, by J. R. R. Tolkien.
The style and structure of Beowulf, by J. Blomfield.
Beowulf, by R. Wilbur.
Beowulf and Christian allegory: an interpretation of Unferth, by M. W. Bloomfield.
The dramatic audience in Beowulf, by R. M. Lumiansky.
Oral-formulaic character of Anglo-Saxon narrative poetry, by F. P. Magoun, Jr.
Beowulf and archaeology, by R. Cramp.
The making of an Anglo-Saxon poem, by R. P. Creed.
Point of view and design for terror in Beowulf, by A. Renoir.
Classics revisited. 4: Beowulf, by K. Rexroth.