Introduction / R. Barton Palmer and Steven M. Sanders
Knowledge, truth, sexuality. Knowledge, truth, and thought experiments in Schizopolis and Sex, lies, and videotape / David Rodrøguez-Ruiz
Love, truth, and the medium in Sex, lies, and videotape / Yannis Tzioumakis
Amplified discourse and desire in Sex, lies, and videotape / Murray Pomerance
Temporality, intertextuality, genre. Alain Resnais meets film noir in The underneath and The limey / R. Barton Palmer
Consciousness, temporality, and the crime-revenge genre in The limey / Geoff King
- Intertextuality, broken mirrors, and The good German / Andrew deWaard
Remade by Steven Soderbergh / Aaron Baker
Self-reflexivity, self-centeredness, Autobiography. Philosophical reflections on Steven Soderbergh's Kafka / Ivo Ritzer
Responsibility and self-centered narration in Erin Brockovich / Andrew Patrick Nelson
Schizopolis as philosophical autobiography / Drew Morton
Politics, morals, methodology. Mr. Soderbergh goes to Washington / Steven M. Sanders
Schizoanalyzing The informant / David Sterritt
Competing modes of capital in Ocean's eleven / R. Colin Tait
An ethical analysis of Traffic / Shai Biderman and William J. Devlin
Simulacra, space, Solaris. The philosophy of space and memory in Solaris / Douglas McFarland
Solaris, cinema, and Simulacra / Michael Valdez Moses.