000441035 000__ 05409cam\a2200409\a\4500 000441035 001__ 441035 000441035 005__ 20210513153423.0 000441035 006__ m\\\\\o\\d\\\\\\\\ 000441035 007__ cr\cnunnnunnun 000441035 008__ 100331s2011\\\\cau\\\\\ob\\\\001\0\eng\d 000441035 010__ $$z 2010013985 000441035 020__ $$a9780520947436$$q(electronic book) 000441035 020__ $$z9780520241015 000441035 020__ $$z9780520241022 000441035 035__ $$a(OCoLC)ocn707080602 000441035 035__ $$a(MiAaPQ)EBC646810 000441035 035__ $$a(CaPaEBR)ebr10443368 000441035 035__ $$a(OCoLC)707080602 000441035 035__ $$a441035 000441035 040__ $$aN$$T$$beng$$cN$T$$dE7B$$dCDX$$dOCLCQ$$dREDDC$$dOCLCQ 000441035 05014 $$aML2075$$b.C455 2011eb 000441035 08204 $$a781.5/4209$$222 000441035 24500 $$aCelluloid symphonies$$h[electronic resource] :$$btexts and contexts in film music history /$$cedited by Julie Hubbert. 000441035 260__ $$aBerkeley :$$bUniversity of California Press,$$c2011. 000441035 300__ $$a1 online resource (xiv, 507 p.) 000441035 504__ $$aIncludes bibliographical references and index. 000441035 50500 $$tPlaying the pictures : music and the silent film (1895-1925).$$tPlain talk to theater managers and operators (1909) /$$rF.H. Richardson ;$$tIncidental music for Edison Pictures (1909) ;$$tJackass music (1911) /$$rLouis Reeves Harrison ;$$gfrom$$tWhat and how to play for pictures (1913) /$$rEugene A. Ahern ;$$tMusic for the picture (1911) /$$rClarence E. Sinn ;$$tThe art of exhibition : Rothapfel on motion picture music (1914) /$$rW. Stephen Bush ;$$tfrom Musical accompaniment of moving pictures (1920) /$$rEdith Lang and George West ;$$gfrom$$tMusical presentation of motion pictures (1921) /$$rGeorge Beynon ;$$gfrom$$tEncyclopaedia of music for pictures (1925) /$$rErno Rapee ;$$tTwo thematic music cue sheets : The thief of Bagdad (1924) and Dame chance (1926) ;$$tMusic and motion pictures (1926) /$$rHugo Riesenfeld ;$$tPublishers win movie music suit (1924) --$$tAll singing, dancing, and talking : music in the early sound film (1926-1934).$$tNew musical marvels in the movies (1926) ;$$tMusicians to fight sound-film devices (1928) ;$$tThe truth about voice doubling (1929) /$$rMark Larkin ;$$tWestward the course of Tin-Pan Alley (1929) /$$rJerry Hoffman ;$$tWhat's wrong with musical pictures? (1930) /$$rSigmund Romberg ;$$tPresent day musical films and how they are made possible (1931) /$$rVerna Avery ;$$tAlfred Hitchcock on music in films (1934) /$$rStephen Watts --$$tCarpet, wallpaper, and earmuffs : the Hollywood score (1935-1959).$$tComposers in movieland (1935) /$$rGeorge Antheil ;$$tThe aesthetics of the sound film (1935) /$$rLeonid Sabaneev ;$$tScoring the film (1937) /$$rMax Steiner ;$$tSome experiences in film music (1940) /$$rErich Wolfgang Korngold ;$$tWhat Is a filmusical? (1937) /$$rDenis Morrison ;$$tMusic in the films (1941) /$$rAaron Copland ;$$tMusic or sound effects? (1947) /$$rHarold C. Schonberg ;$$tThe new musical resources (1947) /$$rTheodor Adorno and Hanns Eisler ;$$tMovie music goes on record (1952) /$$rArthur Knight ;$$tThe man with the golden arm (1956) /$$rElmer Bernstein ;$$tForbidden planet (1956) /$$rLouis and Bebe Barron ;$$tInterview with Stanley Donen (1977) /$$rJim Hillier ;$$tOne thing's for sure, R 'n' R is boffo B.O. (1958) /$$rAlan Freed --$$tThe recession soundtrack : from albums to auteurs, songs to serialism (1960-1977).$$tFilm themes link movie, disk trades (1960) /$$rJune Bundy ;$$tMancini debunks album values (1961) /$$rEddie Kalish ;$$tHerrmann says Hollywood tone deaf as to film scores (1964) ;$$tThe new sound on the soundtracks (1967) /$$rGene Lees ;$$tMovies : tuning in to the sound of new music (1968) /$$rRenata Adler ;$$tTowards an interior music (1997) /$$rEnnio Morricone ;$$tKeeping score on Schifrin : Lalo Schifrin and the art of film music (1969) /$$rHarvey Siders ;$$tBBC interview with Jerry Goldsmith (1969) ;$$tThe jazz composers in Hollywood : a symposium (1972) /$$rHarvey Siders ;$$tGeorge Lucas : stinky kid hits the bigtime (1974) /$$rSteven Farber ;$$tThe annotated Friedkin (1974) /$$rElmer Bernstein ;$$tWhatever became of movie music? (1974) /$$rDavid Raksin --$$tThe postmodern soundtrack : film music in the video and digital age (1978-present).$$tSelling a hit soundtrack (1979) /$$rSusan Peterson ;$$tInterview with John Williams (1997) /$$rCraig L. Byrd ;$$tScoring with synthesizers (1982) /$$rTerry Atkinson ;$$tRock movideo (1985) /$$rMarianne Meyer ;$$tHow rock is changing Hollywood's tune (1989) /$$rStephen Holden ;$$tDanny Elfman : from boingo to Batman (1990) /$$rRandall D. Larson ;$$tInterviews from The celluloid jukebox (1995) /$$rJonathan Romney and Adrian Wootton ;$$tComposing with a very wide palette : Howard Shore in conversation (1999) /$$rPhilip Brophy ;$$tHollywood sound (2005) /$$rRob Bridgett. 000441035 506__ $$aAccess limited to authorized users. 000441035 588__ $$aDescription based on print version record. 000441035 650_0 $$aMotion picture music$$xHistory and criticism. 000441035 650_0 $$aSymphony. 000441035 7001_ $$aHubbert, Julia Bess. 000441035 77608 $$iPrint version:$$tCelluloid symphonies.$$dBerkeley : University of California Press, 2011$$z9780520241015$$z9780520241022$$w(DLC) 2010013985$$w(OCoLC)605019066 000441035 85280 $$bebk$$hProQuest Ebook Central Academic Complete 000441035 8520_ $$bacq 000441035 85280 $$bebk$$hProQuest Ebook Central 000441035 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=646810$$zOnline Access 000441035 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=646810$$zOnline Access 000441035 909CO $$ooai:library.usi.edu:441035$$pGLOBAL_SET 000441035 980__ $$aEBOOK$$aEBOOK 000441035 980__ $$aBIB 000441035 982__ $$aEbook 000441035 983__ $$aOnline